10; 17, “amused at Mason’s nearly invisible Turn-out”; 20; 30, “with never quite invisible death upon the Whir fore and aft”; 39 “Forces invisible”; 40, “Invisible Gamesters”; 44 “Of Forces less visible, I fear”; 52; 55, “a thousand details, each nearly invisible, all working together”; 58, “every detail, including the Invisible, set precisely”; 66; 67, “Tales of Sorcery, invisible Beings”; 68, “indifferent to Visibility”; 68, “charm’d, invisible to history, invisible yet possessing mass”; 73, “Forces invisible even to thy Invisible College?”; 75; 77, “Invisible through the long Dutch workday”; 80, a steady coming and going of black servants “meant to be read as invisible”; 88, “her fair hair nearly invisible”; 99, “The slaves, as if to preserve a secret Invariance, grow more visible and distinct”; 112; 129, “All that is not thus in Fragments, is Invisible”; 140, “subjects of the same Invisible Power”; 142, “an invisible Grain build into Creation”; 150, “yet pressure may be read by the Adept, remaining invisible until sought for”; 153, “takes it all into the Invisible, yet, invisible, doth go on”; 162; 169, “unthinkable contours of an invisible surface”; 171, “her plainly visible Phantom”; 172, “Maskelyne’s observing suit is edging into Visibility”; 180; 204; 219, “invisibly nested at the Camp’s secret core”; 226 “Forces invisible”; 243 “invisible rounds”; 244, “Forces invisible”/ “late-Day Invisibility”; 257, “invis’ble Bracket”; 281, “our friends at Court”; 283; “We are too visible”; 286, Electrick Force/ invisible symbols; 298, “Fumes of Tobacco allow them mutual Visibility”; 305 “low visibility”; 352, ”Invisible Snake Trick”; 367, “the greater its speed, the less visible it grows”; 382, “no cause visible”; 384, “Invisible protection”; 387, “visible change”; 389,” momentarily visible”; 394, “Interests Invisible”; 408, Horse’s detection Of; 411, “Invisible Hand”; 412, “invisible Grasp”, “not visible in his rendering”; 419, “invisible silk”; 426, “Axis invisible”; 429, “invisibly connected”; 440; 448; 449 (2); 485,”Mobile Invisibility”; 486 (3); 487, “if new Continents may become visible…?”; 500; 506, “Grounds invisible”; 508; 515; 516; 517; 524; 528; 539 (2); 548, “visible Calibrating Devices”; 560, “Barrier invisible”, “Beings invisible”; 573; 592; 598, “invisible Guard”; 602, “Lines invisible”; 605; 614; 625; 639; 660, “Poker invisible up the Arse”; 662; 668; 678, of The Visto; 686; 705, “a Falmouth invisible as the center of a circle is invisible”; 706, “source invisible”; 707, “whenever they do stop moving… they lose their Invisibility”, “invisible Thunder”; 711, “barrier, invisible but powerful”; 724; 729, “visible to all”; 731; 746; 749; 752; 760, “Rectangle invisible”; 767, “not a Visible Soul below”, of Doc Isaac, “invisible across the room”; 772, “Not all the connexions are made yet, that is why some of it is still invisible”.
Archive for April, 2013
Invisibility/ Visibility in Mason & Dixon
April 29, 2013‘beautiful’ in golden bowl (james)
April 22, 2013The mentions of the word ‘beautiful’ (and ‘beautifully’, ‘beauteous,’ etc.) found in Henry James’ ‘The Golden Bowl’. Made using Chrome and the Golden Bowl @ Gutenberg, in one post or by chapter below.
PART I(1.1.1 = 9), (1.1.2= 6) (1.1.3= 4) (1.1.4= 1) (1.1.5= 1) (1.1.6= 5) PART II (1.2.7= 2) (1.2.8= 4) (1.2.9= 4) (1.2.10= 4) (1.2.11= 7) (1.2.12= 6) (1.2.13= 3) PART III (1.3.14= 1) (1.3.15= 3) (1.3.16= 2) (1.3.17= 1)(1.3.18= 5)(1.3.19= 1) (1.3.20= 4) (1.3.21= 3) (1.3.22= 5) (1.3.23= 4) (1.3.24= 8) PART IV (2.4.25= 7) (2.4.26=5) (2.4.27= 8) (2.4.28= 8) (2.4.29= 4) (2.4.30= 4 ) (2.4.31= 6) (2.4.32= 5)(2.4.33= 7)(2.4.34= 4) PART V (2.5.35= 4) (2.5.36 = 4) (2.5.37 = 6) (2.5.38 = 6) (2.5.39 = 0) PART VI (2.6.40=1) (2.6.41= 5) (2.6.42= 5)
‘Honesty’ in Othello
April 18, 2013Act 1: “Whip me such honest Knaves.” [1.1.50] (Iago); “in honest plain-ness thou hast heard me say,” [1.1.98] (Brabantio); “a man of honesty and trust,” [1.2.287] (Othello of Iago); honest Iago, [1.2.297] (Othello); “the Moor is of a free and open nature that thinks men honest that but seem to be so” [1.2.401] (Iago).
Act 2: “Honest as I am,” [2.1.201] (Iago); “Iago is most honest” [2.3.7] (Othello); Honest Iago, that looks dead with grieving [2.3.171] (Othello); “Thy honesty and love do mince this matter,” [2.3.240] (Othello); “As I am an honest man” [2.3.260] (Iago); “Good night, honest Iago” [2.3.329]; “And what’s he then that says I play the villain? When this advice is free I give and honest, Probal to thinking, and indeed the course to win the Moor again?” [2.3.330-333] (Iago); “For while this honest fool plies Desdemona to repair his fortunes, and she for him pleads strongly to the Moor, I’ll pour this pestilence into his ear, that she repeals him for her body’s lust,” [2.3.347-351] (Iago).
Act 3: “Dost thou hear, mine honest friend? –No, I hear not your honest friend; I hear you,” [3.1.22-23] (Cassio and Clown); “I never knew a Florentine more kind and honest,” [3.1.42-43] (Cassio of Iago); “O, that’s an honest fellow,” [3.3.5], (Desdemona of Cassio); “For if he be not one that truly loves you, that errs in ignorance and not in cunning, I have no judgment in an honest face,” [3.3.48-50] (Desdemona to Othello of Cassio); “Is he not honest? –honest, my lord? –Honest. Ay, honest. –My lord, for aught I know” [3.3.105-107] (discussion between Othello and Iago about Cassio); “Thou are full of love and honesty” [3.3.124] (Othello to Iago); “I dare be sworn I think that he is honest” [3.3.130] (Iago of Cassio); “Certain, men should be what they seem. — Why, then, I think Cassio’s an honest man,” [3.3.134-135] (Othello and Iago); “It were not for your quiet nor your good, nor for my manhood, honesty, or wisdom, let you know my thoughts,” [3.3.158] (Iago); “I do not think but Desdemona’s honest”, [3.3.232] (Othello); “Why did I marry? This honest creature doutless sees and knows more, much more, than he unfolds,” [3.3.249-250] (Othello of Iago); “This fellow’s of exceeding honesty, and knows all qualities, with a learned spirit, of human dealings,” [3.3.264-266] (Othello of Iago); “O wretched fool thou liv’st to make thine honesty a vice! O monstrous world! Take note, take note, O world, to be direct and honest is not safe,” [3.380-383] (Iago to Othello); “Nay, stay. Thou should be honest. –I should be wise, for honesty’s a fool and loses that it works for. — By the world, I think my wife be honest and think she is not; I think that thou are just and think thou art not. I’ll have some proof,” [3.3.386-390] (Othello and Iago); “I do not like the office. But sith I am ent’red in this cause so far, prick’d to ‘t by foolish honesty and love, I will go on” [3.3.415-418] (Iago); “Yet we see nothing done; she may be honest yet,” [3.3.437-438] (Iago of Desdemona).
Act 4: “It is not honesty in me to speak what I have seen and known,” [4.1.279-280] (Iago); “For if she be not honest, chaste and true, there’s no man happy,” [4.2.17-18] (Emilia of Desdemona); “I hope my lord esteems me honest” [4.2.65] (Desdemona to Othello); “The Moor’s abuse’d by some most villainous knave, some base notorious knave, some scurvy fellow. O heaven that such companions thou’dst unfold, and put in every honest hand a whip to lash the rascals naked through the world even from the east to th’ west” [4.2.141-145] (Emilia).
Act 5: “Tis he. O brave Iago, honest and just, that has such noble sense of thy friend’s wrong!” [5.1.31-32] (Othello); “I am no strumpet, but of life as honest as you that thus abuse me,” [5.1.122-123] (Bianca to Emilia); Honest Iago, [5.2.75] (Othello to Desdemona); “Ay, ’twas he that told me on her first. An honest man he is, and hates the slime that sticks on filthy deeds” [5.2.153-155] (Othello to Emilia of Iago); “He, woman; I say thy husband. Dost thou understand the word? My friend, thy husband, honest, honest Iago” [5.2.162] (Othello to Emilia); “I am not valiant niether, but every puny whipster gets my sword. By why should honor outlive honesty? Let it go all.” [5.2.252-255] (Othello).
‘Nothing’ in King Lear
April 18, 2013Act 1: “What can you say to draw a third more opulent than your sisters?” “Nothing, my lord.” “Nothing?” “Nothing.” “Nothing will come of nothing. Speak again” [1.1.85-90] (Cordelia and Lear); “If aught within that little seeming substance or all of it, with out displeasure piec’d, and nothing more, may fitly like your Grace, she’s there, and she is yours” [1.1.199-202] (Lear to Burgundy); “Nothing. I have sworn. I am firm.” [1.1.246] (Lear to Burgundy); “What paper were you reading?” “Nothing, my lord” “The quality of nothing hath not such need to hide itself. If it be nothing I shall not need spectacles” [1.2.32-36] (Edmund and Gloucester); “I have told you what I hahve seen and heard; but faintly, nothing like the image and horror of it.” [1.2.178-179] (Edmund to Edgar); “This is nothing, fool” “then tis like the breath of unfeed lawyer; you gave me nothing for it. Can you make no use of nothing nuncle?” “Why no, boy, nothing can be made out of nothing” “Prithee, tell him, so much the rent of his land comes to.” [1.4.126-133] (Kent, Fool, Lear); “I had rather be any kind o’ thing than a fool, and yet I would not be thee, nuncle; thou hast pared thy wit o’ both sides, and left nothing in the middle” [1.4.182-185]; “I am a fool, thou art nothing” [1.4.190-191] (fool to Lear); “Yes, forsooth, I will hold my tongue; so your face bids me, though you say nothing” [1.4.191-192] (Fool to Goneril);
Act 2: “have you nothing said upon his party, gainst the Duke of Albany?” [2.1.25-27] (Edmund to Edgar); “thou art nothing but the composition of a knave” [2.2.20] (Kent to Oswald); “Away! I have nothing to do with thee.” (Oswald to Kent); “Nothing almost sees miracles, but misery” [2.2.168] (Kent); “Edgar I nothing am” [2.3.21] (Edgar);
Act 3: “tears his white hair, which the impetuous blasts, with eyeless rage, catch in their fury and make nothing of” [3.1.7-9] (gentleman to Kent of Lear); “I will be the pattern of all patience; I will say nothing” [3.2.37-38] (Lear); “Go to, say you nothing” [3.3.8] (Gloucester to Edmund); “Has his daughters broughth him to this pass? Couldst thou save nothing? Wouldst thou give ‘em all?” [3.4.62-63] (Lear to Edgar); “death traitor! nothing could have subdued nature to such lowness but his unkind daughters” [3.4.69-70] (Lear to Kent);” The thing itself: “Thou art the thing itself, unaccommodated man is no more but such a poor, bare, forked animal as thou art” [3.4.105-107] (Lear to Edgar).
Act 4: “Welcome, then, thou unsubstantial air that I embrace! The wretch that thou hast blown unto the worst owes nothing to thy blasts”[4.1.6-8]; “Y’are much deceived. In nothing am I changed but in my garments” [4.6.8-9] (Edgar to Gloucester); “There is nothing done if he return the conqueror” [4.6.265-267] (letter from Goneril to Edmund, intercepted by Edgar, speaking of Albany); Everything: “Go to, they are not men o’ their words. They told me I was everything. ‘Tis a lie, I am not ague-proof” [4.6.103-105] (Lear of Goneril and Regan);
Act 5: “There is my pledge. I’ll make it on thy heart, ere I taste bread thou art in nothing less than I have here proclaimed thee.” [5.3.95-97] (Albany to Edmund).
Red, White and Purple in Venus and Adonis
April 15, 2013Red and White: “more red and white than doves and roses” [7-12]; “being red, she loves him best; and being white, her best is better’d with a more delight” [77-78]. Of the boar: “Whose frothy mouth, bepainted all with red, like milk and blood being mingled both togeher,” [900-901]; “And in his blood that on the ground lay spill’d a purple flower sprung up, check’red with white, resembling well his pale cheeks and the blood which in round drops upon their whiteness stood,” [1167-1170].
Red and Pale: making lips pale with “fresh variety” [21]; “But now her cheek was pale, and by and by/ it flashed forth fire, as lightning from the sky” [347-348]; “The silly boy, believing she is dead, claps her pale cheek, till clapping makes it red,” [467-468].
Pale and Crimson: “twixt crimson shame and anger ashy-pale” [76].
Red (alone): “she red and hot for as coals of glowing fire, he red for shame but frosty in desire” [35-36]; “scorning his churlish drum and ensign red,” [107]; “red morn” [453]; “wax-red lips” [516]; “Heavy heart’s lead, melt at mine eyes’ red fire! So shall I die by drops of hot desire” [1079-1080]; “ripe-red cherries” [1103].
White (alone): “so white a friend engirts so white a foe,” [361-364]; “teaching the sheets a whiter hue than white” [398]; “lily white” [1054];
Pale (alone): “within the circuit of this ivory pale, I’ll be a park and thou shalt be my deer” [231-232]; “pale-fac’d coward” [569]; with rose mention [589-592]. Her heart ‘Who, overcome by doubt and bloodless fear, with cold-pale weakness numbs each feeling part” [891-892]; “she looks upon his lips, and they are pale; she takes him by the hand, and that is cold” [1123-1124].
Crimson (alone): “Long may they kiss each other, for this cure! O, never let their crimson liveries wear!” [505-506];
Other colors: Purple [1, 1055, 1167]; Silver [728, 959, 1193…]; Black [920, 1020,…]; Green [146, 527, 806, 1176]…; Blue [125…]; Golden [1100…];
‘Beautiful’ – Golden Bowl / In one post
April 13, 2013Book One, PART 1, chapter 1:
[Maggie and the Prince.]”You Americans are almost incredibly romantic.”
“Of course we are. That’s just what makes everything so nice for us.”
“Everything?” He had wondered.
“Well, everything that’s nice at all. The world, the beautiful, world—or everything in it that is beautiful. I mean we see so much.”
He had looked at her a moment—and he well knew how she had struck him, in respect to the beautiful world, as one of the beautiful, the most beautiful things. But what he had answered was: “You see too much—that’s what may sometimes make you difficulties. When you don’t, at least,” he had amended with a further thought, “see too little.” But he had quite granted that he knew what she meant, and his warning perhaps was needless.
He had seen the follies of the romantic disposition, but there seemed somehow no follies in theirs—nothing, one was obliged to recognise, but innocent pleasures, pleasures without penalties. Their enjoyment was a tribute to others without being a loss to themselves. Only the funny thing, he had respectfully submitted, was that her father, though older and wiser, and a man into the bargain, was as bad—that is as good—as herself.
“Oh, he’s better,” the girl had freely declared “that is he’s worse. His relation to the things he cares for—and I think it beautiful—is absolutely romantic. So is his whole life over here—it’s the most romantic thing I know.”
“You mean his idea for his native place?”
“Yes—the collection, the Museum with which he wishes to endow it, and of which he thinks more, as you know, than of anything in the world. It’s the work of his life and the motive of everything he does.”
The young man, in his actual mood, could have smiled again—smiled delicately, as he had then smiled at her. “Has it been his motive in letting me have you?”
“Yes, my dear, positively—or in a manner,” she had said.
“American City isn’t, by the way, his native town, for, though he’s not old, it’s a young thing compared with him—a younger one. He started there, he has a feeling about it, and the place has grown, as he says, like the programme of a charity performance. You’re at any rate a part of his collection,” she had explained—”one of the things that can only be got over here. You’re a rarity, an object of beauty, an object of price. You’re not perhaps absolutely unique, but you’re so curious and eminent that there are very few others like you—you belong to a class about which everything is known. You’re what they call a morceau de musee.”
Youth and beauty made him scarcely turn, but the image of Mrs. Assingham made him presently stop a hansom. HER youth, her beauty were things more or less of the past, but to find her at home, as he possibly might, would be “doing” what he still had time for, would put something of a reason into his restlessness and thereby probably soothe it.
Book One, PART 1, chapter 2:
[Fanny and the prince]. He looked about, to put himself more in relation with the place; then, after an hesitation, seemed to speak certain words instead of certain others. “Oh, I know where I AM—! I do decline to be left, but what I came for, of course, was to thank you. If to-day has seemed, for the first time, the end of preliminaries, I feel how little there would have been any at all without you. The first were wholly yours.”
“Well,” said Mrs. Assingham, “they were remarkably easy. I’ve seen them, I’ve HAD them,” she smiled, “more difficult. Everything, you must feel, went of itself. So, you must feel, everything still goes.”
The Prince quickly agreed. “Oh, beautifully! But you had the conception.”
“Ah, Prince, so had you!”
He looked at her harder a moment. “You had it first. You had it most.”
She returned his look as if it had made her wonder. “I LIKED it, if that’s what you mean. But you liked it surely yourself. I protest, that I had easy work with you. I had only at last—when I thought it was time—to speak for you.”
“All that is quite true. But you’re leaving me, all the same, you’re leaving me—you’re washing your hands of me,” he went on. “However, that won’t be easy; I won’t BE left.” And he had turned his eyes about again, taking in the pretty room that she had just described as her final refuge, the place of peace for a world-worn couple, to which she had lately retired with “Bob.” “I shall keep this spot in sight. Say what you will, I shall need you. I’m not, you know,” he declared, “going to give you up for anybody.”
“If you’re afraid—which of course you’re not—are you trying to make me the same?” she asked after a moment.
He waited a minute too, then answered her with a question. “You say you ‘liked’ it, your undertaking to make my engagement possible. It remains beautiful for me that you did; it’s charming and unforgettable. But, still more, it’s mysterious and wonderful. WHY, you dear delightful woman, did you like it?”
[Of Fanny and the prince.] The spectator of whom they would thus well have been worthy might have read meanings of his own into the intensity of their communion—or indeed, even without meanings, have found his account, aesthetically, in some gratified play of our modern sense of type, so scantly to be distinguished from our modern sense of beauty.
[Fanny and the prince speaking of Charlotte]. “I quite understand, of course, that, given her great friendship with Maggie, she should have wanted to be present. She has acted impulsively—but she has acted generously.”
“She has acted beautifully,” said the Prince.
“I say ‘generously’ because I mean she hasn’t, in any way, counted the cost. She’ll have it to count, in a manner, now,” his hostess continued. “But that doesn’t matter.”
[Of the prince.] The young man’s expression became, after this fashion, something vivid and concrete—a beautiful personal presence, that of a prince in very truth, a ruler, warrior, patron, lighting up brave architecture and diffusing the sense of a function. It had been happily said of his face that the figure thus appearing in the great frame was the ghost of some proudest ancestor. Whoever the ancestor now, at all events, the Prince was, for Mrs. Assingham’s benefit, in view of the people. He seemed, leaning on crimson damask, to take in the bright day. He looked younger than his years; he was beautiful, innocent, vague
Book One, Part 1, chapter 3
[Prince admiring Charlotte]. He knew her narrow hands, he knew her long fingers and the shape and colour of her finger-nails, he knew her special beauty of movement and line when she turned her back, and the perfect working of all her main attachments, that of some wonderful finished instrument, something intently made for exhibition, for a prize.
This was HIS, the man’s, any man’s, position and strength—that he had necessarily the advantage, that he only had to wait, with a decent patience, to be placed, in spite of himself, it might really be said, in the right. Just so the punctuality of performance on the part of the other creature was her weakness and her deep misfortune—not less, no doubt, than her beauty. It produced for the man that extraordinary mixture of pity and profit in which his relation with her, when he was not a mere brute, mainly consisted; and gave him in fact his most pertinent ground of being always nice to her, nice about her, nice FOR her.
{On Charlotte’s facility with Italian.] It wasn’t a question of her strange sense for tongues, with which she juggled as a conjuror at a show juggled with balls or hoops or lighted brands—it wasn’t at least entirely that, for he had known people almost as polyglot whom their accomplishment had quite failed to make interesting. He was polyglot himself, for that matter—as was the case too with so many of his friends and relations; for none of whom, more than for himself, was it anything but a common convenience. The point was that in this young woman it was a beauty in itself, and almost a mystery: so, certainly, he had more than once felt in noting, on her lips, that rarest, among the Barbarians, of all civil graces, a perfect felicity in the use of Italian.
“And you must help, dear,” Charlotte said unperturbed—”as you’ve helped, so beautifully, in such things before.” With which, before Mrs. Assingham could meet the appeal, she had addressed herself to the Prince on a matter much nearer to him. “YOUR marriage is on Friday?—on Saturday?”
Part I, chapt 4.
{Fanny and the Colonel] “Then why won’t that do,” the Colonel asked, “for you to think it’s what she has come for?”
“How will it do, HOW?”—she went on as without hearing him.
“That’s what one keeps feeling.”
“Why shouldn’t it do beautifully?”
“That anything of the past,” she brooded, “should come back NOW? How will it do, how will it do?”
Book One, Part I, chapt 5.
(The Prince) This was like beginning something over, which was the last thing he wanted. The strength, the beauty of his actual position was in its being wholly a fresh start, was that what it began would be new altogether.
Book One, Part I, chap 6
(Prince and Charlotte) He didn’t, no doubt, want to hurt them, but he imaged them no more than if his eyes acted only for the level of his own high head. Her own vision acted for every relation—this he had seen for himself: she remarked beggars, she remembered servants, she recognised cabmen; she had often distinguished beauty, when out with him, in dirty children; she had admired “type” in faces at hucksters’ stalls. Therefore, on this occasion, she had found their antiquario interesting; partly because he cared so for his things, and partly because he cared—well, so for them. “He likes his things—he loves them,” she was to say; “and it isn’t only—it isn’t perhaps even at all—that he loves to sell them. I think he would love to keep them if he could; and he prefers, at any rate, to sell them to right people. We, clearly, were right people—he knows them when he sees them; and that’s why, as I say, you could make out, or at least I could, that he cared for us. Didn’t you see”—she was to ask it with an insistence—”the way he looked at us and took us in? I doubt if either of us have ever been so well looked at before. Yes, he’ll remember us”—she was to profess herself convinced of that almost to uneasiness. “But it was after all”—this was perhaps reassuring—”because, given his taste, since he HAS taste, he was pleased with us, he was struck—he had ideas about us. Well, I should think people might; we’re beautiful—aren’t we?—and he knows. Then, also, he has his way; for that way of saying nothing with his lips when he’s all the while pressing you so with his face, which shows how he knows you feel it—that is a regular way.”
(Shopman and Charlotte discussing bowl)She wondered. “Even if I were to scrape off the gold?”
He showed, though with due respect, that she amused him. “You couldn’t scrape it off—it has been too well put on; put on I don’t know when and I don’t know how. But by some very fine old worker and by some beautiful old process.”
(Shopman and Charlotte discussing bowl) “Does crystal then break—when it IS crystal? I thought its beauty was its hardness.”
Her friend, in his way, discriminated. “Its beauty is its BEING crystal. But its hardness is certainly, its safety. It doesn’t break,” he went on, “like vile glass. It splits—if there is a split.”
Book one, Part 2, chapter 7
[Ms. Rance and Adam Verver] Should she frankly denounce him for a sneak he would simply go to pieces; but he was, after an instant, not afraid of that. Wouldn’t she rather, as emphasising their communion, accept and in a manner exploit the anomaly, treat it perhaps as romantic or possibly even as comic?—show at least that they needn’t mind even though the vast table, draped in brown holland, thrust itself between them as an expanse of desert sand. She couldn’t cross the desert, but she could, and did, beautifully get round it; so that for him to convert it into an obstacle he would have had to cause himself, as in some childish game or unbecoming romp, to be pursued, to be genially hunted.
[Adam Verver as collector] He was equal, somehow, with the great seers, the invokers and encouragers of beauty—and he didn’t after all perhaps dangle so far below the great producers and creators. He had been nothing of that kind before-too decidedly, too dreadfully not; but now he saw why he had been what he had, why he had failed and fallen short even in huge success; now he read into his career, in one single magnificent night, the immense meaning it had waited for.
Book one, Part 2, chapter 8
[Adam] There on one side was the ugliness his middle time had been spared; there on the other, from all the portents, was the beauty with which his age might still be crowned. He was happier, doubtless, than he deserved; but THAT, when one was happy at all, it was easy to be.
[Adam Verver about Grandson] He took life in general higher up the stream; so far as he was not actually taking it as a collector, he was taking it, decidedly, as a grandfather. In the way of precious small pieces he had handled nothing so precious as the Principino, his daughter’s first-born, whose Italian designation endlessly amused him and whom he could manipulate and dandle, already almost toss and catch again, as he couldn’t a correspondingly rare morsel of an earlier pate tendre. He could take the small clutching child from his nurse’s arms with an iteration grimly discountenanced, in respect to their contents, by the glass doors of high cabinets. Something clearly beatific in this new relation had, moreover, without doubt, confirmed for him the sense that none of his silent answers to public detraction, to local vulgarity, had ever been so legitimately straight as the mere element of attitude—reduce it, he said, to that—in his easy weeks at Fawns
[Adam Verver about first marriage] He could call back his prior, his own wedded consciousness—it was not yet out of range of vague reflection. He had supposed himself, above all he had supposed his wife, as married as anyone could be, and yet he wondered if their state had deserved the name, or their union worn the beauty, in the degree to which the couple now before him carried the matter. In especial since the birth of their boy, in New York—the grand climax of their recent American period, brought to so right an issue—the happy pair struck him as having carried it higher, deeper, further; to where it ceased to concern his imagination, at any rate, to follow them.
Maggie herself was capable; Maggie herself at this season, was, exquisitely, divinely, the maximum: such was the impression that, positively holding off a little for the practical, the tactful consideration it inspired in him, a respect for the beauty and sanctity of it almost amounting to awe—such was the impression he daily received from her. She was her mother, oh yes—but her mother and something more; it becoming thus a new light for him, and in such a curious way too, that anything more than her mother should prove at this time of day possible.
Book one, Part 2, chapter 9
[Of the principino] It was of course an old story and a familiar idea that a beautiful baby could take its place as a new link between a wife and a husband, but Maggie and her father had, with every ingenuity, converted the precious creature into a link between a mamma and a grandpapa.
[Of the principino] He was sure of his son-in-law’s auxiliary admiration—admiration, he meant, of his grand-son; since, to begin with, what else had been at work but the instinct—or it might fairly have been the tradition—of the latter’s making the child so solidly beautiful as to HAVE to be admired?
[Of a lack of the prince’s] It was no secret to Maggie—it was indeed positively a public joke for her—that she couldn’t explain as Mrs. Assingham did, and that, the Prince liking explanations, liking them almost as if he collected them, in the manner of book-plates or postage-stamps, for themselves, his requisition of this luxury had to be met. He didn’t seem to want them as yet for use—rather for ornament and amusement, innocent amusement of the kind he most fancied and that was so characteristic of his blessed, beautiful, general, slightly indolent lack of more dissipated, or even just of more sophisticated, tastes.
[Of the prince’s property in Italy] He might at times reflect with the frankest lucidity on the circumstance that the case was for a good while yet absolutely settled in regard to what he still had left, at home, of his very own; in regard to the main seat of his affection, the house in Rome, the big black palace, the Palazzo Nero, as he was fond of naming it, and also on the question of the villa in the Sabine hills, which she had, at the time of their engagement, seen and yearned over, and the Castello proper, described by him always as the “perched” place, that had, as she knew, formerly stood up, on the pedestal of its mountain-slope, showing beautifully blue from afar, as the head and front of the princedom.
Book one, Part 2, chapter 10
[Adam Verver’s eyes] There was something in Adam Verver’s eyes that both admitted the morning and the evening in unusual quantities and gave the modest area the outward extension of a view that was “big” even when restricted to stars. Deeply and changeably blue, though not romantically large, they were yet youthfully, almost strangely beautiful, with their ambiguity of your scarce knowing if they most carried their possessor’s vision out or most opened themselves to your own.
[Maggie to her father, suggesting the visit of Charlotte] “You’ve got something up your sleeve.”
She had a silence that made him right. “Well, when I tell you you’ll understand. It’s only up my sleeve in the sense of being in a letter I got this morning. All day, yes—it HAS been in my mind. I’ve been asking myself if it were quite the right moment, or in any way fair, to ask you if you could stand just now another woman.”
It relieved him a little, yet the beautiful consideration of her manner made it in a degree portentous. “Stand one—?”
“Well, mind her coming.”
He stared—then he laughed. “It depends on who she is.”
“Charlotte? Is SHE coming?”
“She writes me, practically, that she’d like to if we’re so good as to ask her.”
Mr. Verver continued to gaze, but rather as if waiting for more. Then, as everything appeared to have come, his expression had a drop. If this was all it was simple. “Then why in the world not?”
Maggie’s face lighted anew, but it was now another light. “It isn’t a want of tact?”
“To ask her?”
“To propose it to you.”
“That I should ask her?”
He put the question as an effect of his remnant of vagueness, but this had also its own effect. Maggie wondered an instant; after which, as with a flush of recognition, she took it up. “It would be too beautiful if you WOULD!”
This, clearly, had not been her first idea—the chance of his words had prompted it. “Do you mean write to her myself?”
“Yes—it would be kind. It would be quite beautiful of you. That is, of course,” said Maggie, “if you sincerely CAN.”
Book one, Part 2, chapter 11
[Charlotte Stant’s effect on Mrs. Rance and the Miss Lutches]He traced his impression, on coming to consider, back to a mere three words she had begun by using about Charlotte Stant. She simply “cleared them out”—those had been the three words, thrown off in reference to the general golden peace that the Kentish October had gradually ushered in, the “halcyon” days the full beauty of which had appeared to shine out for them after Charlotte’s arrival.
[Of Adam Verver] It was all, at bottom, in him, the aesthetic principle, planted where it could burn with a cold, still flame; where it fed almost wholly on the material directly involved, on the idea (followed by appropriation) of plastic beauty, of the thing visibly perfect in its kind; where, in short, in spite of the general tendency of the “devouring element” to spread, the rest of his spiritual furniture, modest, scattered, and tended with unconscious care, escaped the consumption that in so many cases proceeds from the undue keeping-up of profane altar-fires.
If the Prince had asked something of his wife every day in the year, this would be still no reason why the poor dear man should not, in a beautiful fit of homesickness, revisit, without reproach, his native country.
[Verver contemplating the similar, respectful manner with which Charlotte and the prince treat him] He might wonder what exactly it was that they so resembled each other in treating him like—from what noble and propagated convention, in cases in which the exquisite “importance” was to be neither too grossly attributed nor too grossly denied, they had taken their specific lesson; but the difficulty was here of course that one could really never know—couldn’t know without having been one’s self a personage; whether a Pope, a King, a President, a Peer, a General, or just a beautiful Author.
[Adam Verver] He should reduce to definite form the idea that he had lost her—as was indeed inevitable—by her own marriage; he should reduce to definite form the idea of his having incurred an injury, or at the best an inconvenience, that required some makeweight and deserved some amends. And he should do this the more, which was the great point, that he should appear to adopt, in doing it, the sentiment, in fact the very conviction, entertained, and quite sufficiently expressed, by Maggie herself, in her beautiful generosity, as to what he had suffered—putting it with extravagance—at her hands. If she put it with extravagance the extravagance was yet sincere, for it came—which she put with extravagance too—from her persistence, always, in thinking, feeling, talking about him, as young.
[Adam Verver] He was afterwards to recall how, just then, the autumn night seemed to clear to a view in which the whole place, everything round him, the wide terrace where he stood, the others, with their steps, below, the gardens, the park, the lake, the circling woods, lay there as under some strange midnight sun. It all met him during these instants as a vast expanse of discovery, a world that looked, so lighted, extraordinarily new, and in which familiar objects had taken on a distinctness that, as if it had been a loud, a spoken pretension to beauty, interest, importance, to he scarce knew what, gave them an inordinate quantity of character and, verily, an inordinate size.
[Adam Verver] Once he had recognised it there everything became coherent. The sharp point to which all his light converged was that the whole call of his future to him, as a father, would be in his so managing that Maggie would less and less appear to herself to have forsaken him. And it not only wouldn’t be decently humane, decently possible, not to make this relief easy to her—the idea shone upon him, more than that, as exciting, inspiring, uplifting. It fell in so beautifully with what might be otherwise possible; it stood there absolutely confronted with the material way in which it might be met.
Book one, Part 2, chapter 12
[Adam Verver] “We’ve had, as it seems to me, such quite beautiful days together, that I hope it won’t come to you too much as a shock when I ask if you think you could regard me with any satisfaction as a husband.”
[Charlotte Stant] “To me too it thoroughly seems that these days have been beautiful. I shouldn’t be grateful to them if I couldn’t more or less have imagined their bringing us to this.”
[Adam Verver] Then it was that, though she was so gentle, so quite perfect with him, and he felt he had come on far—then it was that of a sudden something seemed to fail and he didn’t quite know where they were. There rose for him, with this, the fact, to be sure, of their disparity, deny it as mercifully and perversely as she would. He might have been her father. “Of course, yes—that’s my disadvantage: I’m not the natural, I’m so far from being the ideal match to your youth and your beauty. I’ve the drawback that you’ve seen me always, so inevitably, in such another light.”
[Adam and Charlotte] “No—I haven’t. But if it’s her idea—!” If it was her idea, in short, that was enough. This enunciation of motive, the next moment, however, sounded to him perhaps slightly thin, so that he gave it another touch. “That is if it’s my idea. I happen, you see, to like my idea.”
“Well, it’s beautiful and wonderful. But isn’t it, possibly,” Charlotte asked, “not quite enough to marry me for?”
“Why so, my dear child? Isn’t a man’s idea usually what he does marry for?”
[Adam and Charlotte]“Wait—a—at Fawns?”
“Wait in Paris. That will be charming in itself.”
“You take me to pleasant places.” She turned it over. “You propose to me beautiful things.”
“It rests but with you to make them beautiful and pleasant. You’ve made Brighton—!”
“Ah!”—she almost tenderly protested. “With what I’m doing now?”
Book One Part 2 Chapter 13
[Adam and Charlotte] Delicacy, a delicacy more beautiful still, all the delicacy she should want, reigned between them—it being rudimentary, in their actual order, that she mustn’t be further worried until Maggie should have put her at her ease.
[Adam and Charlotte] As soon as he perceived that emotion kept her soundless he knew himself deeply touched, since it proved that, little as she professed, she had been beautifully hoping.
At this then, as if moved by his way of constantly—and more or less against his own contention—coming round to her, she showed how she could also always, and not less gently, come half way. “I speak of it only as the missing GRACE—the grace that’s in everything that Maggie does. It isn’t my due”—she kept it up—”but, taking from you that we may still expect it, it will have the touch. It will be beautiful.”
Book One Part 3 Chapter 14
[Charlotte and Fanny speaking] Charlotte replied, however, without, as her friend would have phrased it, turning a hair. She shook her head, but it was beautifully gentle. “He never comes.”
Book One Part 3 Chapter 15
[Fanny of the Prince.] He was a huge expense assuredly—but it had been up to now her conviction that his idea was to behave beautifully enough to make the beauty well nigh an equivalent.
[Fanny and Prince]. At this, as from a sudden shake, her reserve proved an inadequate vessel. She could bear her own, her private reference to the weight on her mind, but the touch of another hand made it too horribly press. “Oh, I deny responsibility—to YOU. So far as I ever had it I’ve done with it.”
He had been, all the while, beautifully smiling; but she made his look, now, penetrate her again more. “As to whom then do you confess it?”
Book One Part 3 Chapter 16
[Fanny and Colonel]. “He has behaved beautifully—he did from the first. I’ve thought it, all along, wonderful of him; and I’ve more than once, when I’ve had a chance, told him so. Therefore, therefore—!” But it died away as she mused.
“Therefore he has a right, for a change, to kick up his heels?”
“It isn’t a question, of course, however,” she undivertedly went on, “of their behaving beautifully apart. It’s a question of their doing as they should when together—which is another matter.”
Book One Part 3 Chapter 17
[Charlotte to Prince] “‘Do’?” she once had echoed to him as the upshot of passages covertly, though briefly, occurring between them on her return from the visit to America that had immediately succeeded her marriage, determined for her by this event as promptly as an excursion of the like strange order had been prescribed in his own case. “Isn’t the immense, the really quite matchless beauty of our position that we have to ‘do’ nothing in life at all?—nothing except the usual, necessary, everyday thing which consists in one’s not being more of a fool than one can help. That’s all—but that’s as true for one time as for another. There has been plenty of ‘doing,’ and there will doubtless be plenty still; but it’s all theirs, every inch of it; it’s all a matter of what they’ve done TO us.” And she showed how the question had therefore been only of their taking everything as everything came, and all as quietly as might be. Nothing stranger surely had ever happened to a conscientious, a well-meaning, a perfectly passive pair: no more extraordinary decree had ever been launched against such victims than this of forcing them against their will into a relation of mutual close contact that they had done everything to avoid.
Book One Part 3 Chapter 18
[Prince, Charlotte]. The Prince appeared to confess, at this, to his interest.
“Taking, you mean, YOUR carriage?”
“I don’t know which, and it doesn’t matter. It’s not a question,” she smiled, “of a carriage the more or the less. It’s not a question even, if you come to that, of a cab. It’s so beautiful,” she said, “that it’s not a question of anything vulgar or horrid.” Which she gave him time to agree about; and though he was silent it was, rather remarkably, as if he fell in. “I went out—I wanted to. I had my idea. It seemed to me important. It has BEEN—it IS important. I know as I haven’t known before the way they feel. I couldn’t in any other way have made so sure of it.”
[Prince, Charlotte].“Ah,” he in turn protested, “don’t put it all on me! What, at any rate, when you get home,” he added, “shall you say that you’ve been doing?”
“I shall say, beautifully, that I’ve been here.”
“All day?”
“Yes—all day.
[Prince, Charlotte].“Ah,” Charlotte instantly said, “isn’t it for us, only, to do that?” She spoke as with a flare of pride for their privilege and their duty. “I think we want no one’s aid.”
She spoke indeed with a nobleness not the less effective for coming in so oddly; with a sincerity visible even through the complicated twist by which any effort to protect the father and the daughter seemed necessarily conditioned for them. It moved him, in any case, as if some spring of his own, a weaker one, had suddenly been broken by it. These things, all the while, the privilege, the duty, the opportunity, had been the substance of his own vision; they formed the note he had been keeping back to show her that he was not, in their so special situation, without a responsible view. A conception that he could name, and could act on, was something that now, at last, not to be too eminent a fool, he was required by all the graces to produce, and the luminous idea she had herself uttered would have been his expression of it. She had anticipated him, but, as her expression left, for positive beauty, nothing to be desired, he felt rather righted than wronged. A large response, as he looked at her, came into his face, a light of excited perception all his own, in the glory of which—as it almost might be called—what he gave her back had the value of what she had, given him. “They’re extraordinarily happy.”
Oh, Charlotte’s measure of it was only too full. “Beatifically.”
“That’s the great thing,” he went on; “so that it doesn’t matter, really, that one doesn’t understand. Besides, you do—enough.”
[Prince, Charlotte].“Oh, as we trust the saints in glory. Fortunately,” the Prince hastened to add, “we can.” With which, as for the full assurance and the pledge it involved, their hands instinctively found their hands. “It’s all too wonderful.”
Firmly and gravely she kept his hand. “It’s too beautiful.”
And so for a minute they stood together, as strongly held and as closely confronted as any hour of their easier past even had seen them. They were silent at first, only facing and faced, only grasping and grasped, only meeting and met. “It’s sacred,” he said at last.
Book One Part 3 Chapter 19
To haunt Eaton Square, in fine, would be to show that he had not, like his brilliant associate, a sufficiency of work in the world. It was just his having that sufficiency, it was just their having it together, that, so strangely and so blessedly, made, as they put it to each other, everything possible. What further propped up the case, moreover, was that the “world,” by still another beautiful perversity of their chance, included Portland Place without including to anything like the same extent Eaton Square.
Book One Part 3 Chapter 20
It was amusing, in such lightness of air, that the Prince should again present himself only to speak for the Princess, so unfortunately unable, again, to leave home; and that Mrs. Verver should as regularly figure as an embodied, a beautifully deprecating apology for her husband, who was all geniality and humility among his own treasures, but as to whom the legend had grown up that he couldn’t bear, with the height of his standards and the tone of the company, in the way of sofas and cabinets, habitually kept by him, the irritation and depression to which promiscuous visiting, even at pompous houses, had been found to expose him.
What with the noble fairness of the place, meanwhile, the generous mood of the sunny, gusty, lusty English April, all panting and heaving with impatience, or kicking and crying, even, at moments, like some infant Hercules who wouldn’t be dressed; what with these things and the bravery of youth and beauty, the insolence of fortune and appetite so diffused among his fellow-guests that the poor Assinghams, in their comparatively marked maturity and their comparatively small splendour, were the only approach to a false note in the concert, the stir of the air was such, for going, in a degree, to one’s head, that, as a mere matter of exposure, almost grotesque in its flagrancy, his situation resembled some elaborate practical joke carried out at his expense.
“They” were of course Maggie and her father, moping—so far as they ever consented to mope in monotonous Eaton Square, but placid too in the belief that they knew beautifully what their expert companions were in for. They knew, it might have appeared in these lights, absolutely nothing on earth worth speaking of—whether beautifully or cynically; and they would perhaps sometimes be a little less trying if they would only once for all peacefully admit that knowledge wasn’t one of their needs and that they were in fact constitutionally inaccessible to it.
Book One Part 3 Chapter 21
[Charlotte and Prince] “If it didn’t sound so vulgar I should say that we’re—fatally, as it were—SAFE. Pardon the low expression—since it’s what we happen to be. We’re so because they are. And they’re so because they can’t be anything else, from the moment that, having originally intervened for them, she wouldn’t now be able to bear herself if she didn’t keep them so. That’s the way she’s inevitably WITH us,” said Charlotte over her smile. “We hang, essentially, together.”
Well, the Prince candidly allowed she did bring it home to him. Every way it worked out. “Yes, I see. We hang, essentially, together.”
His friend had a shrug—a shrug that had a grace. “Cosa volete?” The effect, beautifully, nobly, was more than Roman. “Ah, beyond doubt, it’s a case.”
He stood looking at her. “It’s a case. There can’t,” he said, “have been many.”
“Perhaps never, never, never any other. That,” she smiled, “I confess I should like to think. Only ours.”
[Charlotte and Prince]His whole consciousness had by this time begun almost to ache with a truth of an exquisite order, at the glow of which she too had, so unmistakably then, been warming herself—the truth that the occasion constituted by the last few days couldn’t possibly, save by some poverty of their own, refuse them some still other and still greater beauty. It had already told them, with an hourly voice, that it had a meaning—a meaning that their associated sense was to drain even as thirsty lips, after the plough through the sands and the sight, afar, of the palm-cluster, might drink in at last the promised well in the desert. There had been beauty, day after day, and there had been, for the spiritual lips, something of the pervasive taste of it; yet it was all, none the less, as if their response had remained below their fortune. How to bring it, by some brave, free lift, up to the same height was the idea with which, behind and beneath everything, he was restlessly occupied, and in the exploration of which, as in that of the sun-chequered greenwood of romance, his spirit thus, at the opening of a vista, met hers.
Book One Part 3 Chapter 22
[Prince] But there were more things before him than even these; things that melted together, almost indistinguishably, to feed his sense of beauty.
[Prince] But though all this was sensible enough there was a spirit in him that could rise above it, a spirit that positively played with the facts, with all of them; from that of the droll ambiguity of English relations to that of his having in mind something quite beautiful and independent and harmonious, something wholly his own.
[Charlotte, Prince] She had come to the sill, on which she leaned to look down, and she remained there a minute smiling at him. He had been immediately struck with her wearing a hat and a jacket—which conduced to her appearance of readiness not so much to join him, with a beautiful uncovered head and a parasol, where he stood, as to take with him some larger step altogether. The larger step had been, since the evening before, intensely in his own mind, though he had not fully thought out, even yet, the slightly difficult detail of it; but he had had no chance, such as he needed, to speak the definite word to her, and the face she now showed affected him, accordingly, as a notice that she had wonderfully guessed it for herself.
[Charlotte, Prince, Golden Bowl] “I feel it, as you always make me feel everything, just as you do; so that I know ten miles off how you feel! But do you remember,” she asked, “apropos of great gold cups, the beautiful one, the real one, that I offered you so long ago and that you wouldn’t have? Just before your marriage”—she brought it back to him: “the gilded crystal bowl in the little Bloomsbury shop.”
[Charlotte, Prince] She hesitated—but it was only her way. “I thought you would think. We have, thank goodness, these harmonies. They are food for superstition if you like. It’s beautiful,” she went on, “that it should be Gloucester; ‘Glo’ster, Glo’ster,’ as you say, making it sound like an old song. However, I’m sure Glo’ster, Glo’ster will be charming,” she still added; “we shall be able easily to lunch there, and, with our luggage and our servants off our hands, we shall have at least three or four hours. We can wire,” she wound up, “from there.”
Book One Part 3 Chapter 23
[Fanny of the Prince and Charlotte] “Well?” he asked as she paused.
“Well, shows that I’m right—for I assure you I had wandered far. Now I’m at home again, and I mean,” said Fanny Assingham, “to stay here. They’re beautiful,” she declared.
“The Prince and Charlotte?”
“The Prince and Charlotte. THAT’S how they’re so remarkable. And the beauty,” she explained, “is that they’re afraid for them. Afraid, I mean, for the others.”
“For Mr. Verver and Maggie?” It did take some following. “Afraid of what?”
“Afraid of themselves.”
The Colonel wondered. “Of THEMSELVES? Of Mr. Verver’s and Maggie’s selves?”
Mrs. Assingham remained patient as well as lucid. “Yes—of SUCH blindness too. But most of all of their own danger.”
He turned it over. “That danger BEING the blindness—?”
“That danger being their position. What their position contains—of all the elements—I needn’t at this time of day attempt to tell you. It contains, luckily—for that’s the mercy—everything BUT blindness: I mean on their part. The blindness,” said Fanny, “is primarily her husband’s.”
[Of Fanny and the Colonel] Yet the effect of this small crisis, oddly enough, was not to close their colloquy, with the natural result of sending them to bed: what was between them had opened out further, had somehow, through the sharp show of her feeling, taken a positive stride, had entered, as it were, without more words, the region of the understood, shutting the door after it and bringing them so still more nearly face to face. They remained for some minutes looking at it through the dim window which opened upon the world of human trouble in general and which let the vague light play here and there upon gilt and crystal and colour, the florid features, looming dimly, of Fanny’s drawing-room. And the beauty of what thus passed between them, passed with her cry of pain, with her burst of tears, with his wonderment and his kindness and his comfort, with the moments of their silence, above all, which might have represented their sinking together, hand in hand, for a time, into the mystic lake where he had begun, as we have hinted, by seeing her paddle alone—the beauty of it was that they now could really talk better than before, because the basis had at last, once for all, defined itself
Book One Part 3 Chapter 24
“The way it comes to me is that she will live. The way it comes to me is that she’ll triumph.”
She said this with so sudden a prophetic flare that it fairly cheered her husband. “Ah then, we must back her!”
“No—we mustn’t touch her. We mayn’t touch any of them. We must keep our hands off; we must go on tiptoe. We must simply watch and wait. And meanwhile,” said Mrs. Assingham, “we must bear it as we can. That’s where we are—and serves us right. We’re in presence.”
And so, moving about the room as in communion with shadowy portents, she left it till he questioned again. “In presence of what?”
“Well, of something possibly beautiful. Beautiful as it MAY come off.”
She had paused there before him while he wondered. “You mean she’ll get the Prince back?
“To keep her father from her own knowledge. THAT”—and she seemed to see it, before her, in her husband’s very eyes—”will be work cut out!” With which, as at the highest conceivable climax, she wound up their colloquy. “Good night!”
There was something in her manner, however—or in the effect, at least, of this supreme demonstration that had fairly, and by a single touch, lifted him to her side; so that, after she had turned her back to regain the landing and the staircase, he overtook her, before she had begun to mount, with the ring of excited perception. “Ah, but, you know, that’s rather jolly!”
“Jolly’—?” she turned upon it, again, at the foot of the staircase.
“I mean it’s rather charming.”
“‘Charming’—?” It had still to be their law, a little, that she was tragic when he was comic.
“I mean it’s rather beautiful. You just said, yourself, it would be. Only,” he pursued promptly, with the impetus of this idea, and as if it had suddenly touched with light for him connections hitherto dim—”only I don’t quite see why that very care for him which has carried her to such other lengths, precisely, as affect one as so ‘rum,’ hasn’t also, by the same stroke, made her notice a little more what has been going on.”
[Fanny speaking]. “I always pay for it, sooner or later, my sociable, my damnable, my unnecessary interest. Nothing of course would suit me but that it should fix itself also on Charlotte—Charlotte who was hovering there on the edge of our lives, when not beautifully, and a trifle mysteriously, flitting across them, and who was a piece of waste and a piece of threatened failure, just as, for any possible good to the WORLD, Mr. Verver and Maggie were. It began to come over me, in the watches of the night, that Charlotte was a person who COULD keep off ravening women—without being one herself, either, in the vulgar way of the others; and that this service to Mr. Verver would be a sweet employment for her future. There was something, of course, that might have stopped me: you know, you know what I mean—it looks at me,” she veritably moaned, “out of your face! But all I can say is that it didn’t; the reason largely being—once I had fallen in love with the beautiful symmetry of my plan—that I seemed to feel sure Maggie would accept Charlotte, whereas I didn’t quite make out either what other woman, or what other KIND of woman, one could think of her accepting.”
[Fanny and Colonel] “And Charlotte and the Prince are abjectly innocent—?”
It took her another minute, but she rose to the full height. “Yes. That is they WERE—as much so in their way as the others. There were beautiful intentions all round. The Prince’s and Charlotte’s were beautiful—of THAT I had my faith. They WERE—I’d go to the stake. Otherwise,” she added, “I should have been a wretch. And I’ve not been a wretch. I’ve only been a double-dyed donkey.”
[Fanny and Colonel] Well, he made it up. “Like a Prince?”
“Like a Prince. He is, profoundly, a Prince. For that,” she said with expression, “he’s—beautifully—a case. They’re far rarer, even in the ‘highest circles,’ than they pretend to be—and that’s what makes so much of his value. He’s perhaps one of the very last—the last of the real ones. So it is we must take him. We must take him all round.”
Book TWO Part 4 Chapter 25
[Maggie] It was not till many days had passed that the Princess began to accept the idea of having done, a little, something she was not always doing, or indeed that of having listened to any inward voice that spoke in a new tone. Yet these instinctive postponements of reflection were the fruit, positively, of recognitions and perceptions already active; of the sense, above all, that she had made, at a particular hour, made by the mere touch of her hand, a difference in the situation so long present to her as practically unattackable. This situation had been occupying, for months and months, the very centre of the garden of her life, but it had reared itself there like some strange, tall tower of ivory, or perhaps rather some wonderful, beautiful, but outlandish pagoda, a structure plated with hard, bright porcelain, coloured and figured and adorned, at the overhanging eaves, with silver bells that tinkled, ever so charmingly, when stirred by chance airs.
[Maggie] She had surrendered herself to her husband without the shadow of a reserve or a condition, and yet she had not, all the while, given up her father—the least little inch. She had compassed the high city of seeing the two men beautifully take to each other, and nothing in her marriage had marked it as more happy than this fact of its having practically given the elder, the lonelier, a new friend.
[Maggie of the Prince] He would be late—he would be very late; that was the one certainty that seemed to look her in the face. There was still also the possibility that if he drove with Charlotte straight to Eaton Square he might think it best to remain there even on learning she had come away. She had left no message for him on any such chance; this was another of her small shades of decision, though the effect of it might be to keep him still longer absent. He might suppose she would already have dined; he might stay, with all he would have to tell, just on purpose to be nice to her father. She had known him to stretch the point, to these beautiful ends, far beyond that; he had more than once stretched it to the sacrifice of the opportunity of dressing.
[Maggie]She had glanced repeatedly at the clock, but she had refused herself the weak indulgence of walking up and down, though the act of doing so, she knew, would make her feel, on the polished floor, with the rustle and the “hang,” still more beautifully bedecked.
[Maggie] THAT was at the bottom of her mind, that their equilibrium was everything, and that it was practically precarious, a matter of a hair’s breadth for the loss of the balance. It was the equilibrium, or at all events her conscious fear about it, that had brought her heart into her mouth; and the same fear was, on either side, in the silent look she and Amerigo had exchanged. The happy balance that demanded this amount of consideration was truly thus, as by its own confession, a delicate matter; but that her husband had also HIS habit of anxiety and his general caution only brought them, after all, more closely together. It would have been most beautifully, therefore, in the name of the equilibrium, and in that of her joy at their feeling so exactly the same about it, that she might have spoken if she had permitted the truth on the subject of her behaviour to ring out—on the subject of that poor little behaviour which was for the moment so very limited a case of eccentricity.
[What Maggie communicates, but doesn’t actually say, to the Prince] “‘Why, why’ have I made this evening such a point of our not all dining together? Well, because I’ve all day been so wanting you alone that I finally couldn’t bear it, and that there didn’t seem any great reason why I should try to. THAT came to me—funny as it may at first sound, with all the things we’ve so wonderfully got into the way of bearing for each other. You’ve seemed these last days—I don’t know what: more absent than ever before, too absent for us merely to go on so. It’s all very well, and I perfectly see how beautiful it is, all round; but there comes a day when something snaps, when the full cup, filled to the very brim, begins to flow over.
[Maggie, Prince] Still, she could actually hardly have made him take more time than he struck her taking, though it must indeed be added that there was now in this much-thinking little person’s state of mind no mere crudity of impatience. Something had happened, rapidly, with the beautiful sight of him and with the drop of her fear of having annoyed him by making him go to and fro. Subsidence of the fearsome, for Maggie’s spirit, was always, at first, positive emergence of the sweet, and it was long since anything had been so sweet to her as the particular quality suddenly given by her present emotion to the sense of possession.
Book TWO Part 4 Chapter 26
[Maggie, Prince] This unquenchable variety in his appeal to her interest, what did it mean but that—reduced to the flatness of mere statement—she was married, by good fortune, to an altogether dazzling person? That was an old, old story, but the truth of it shone out to her like the beauty of some family picture, some mellow portrait of an ancestor, that she might have been looking at, almost in surprise, after a long intermission.
But what perhaps most came out in the light of these concatenations was that it had been, for all the world, as if Charlotte had been “had in,” as the servants always said of extra help, because they had thus suffered it to be pointed out to them that if their family coach lumbered and stuck the fault was in its lacking its complement of wheels. Having but three, as they might say, it had wanted another, and what had Charlotte done from the first but begin to act, on the spot, and ever so smoothly and beautifully, as a fourth?
[Maggie] She said to herself, in her excitement, that it was perfectly simple: to bring about a difference, touch by touch, without letting either of the three, and least of all her father, so much as suspect her hand. If they should suspect they would want a reason, and the humiliating truth was that she wasn’t ready with a reason—not, that is, with what she would have called a reasonable one. She thought of herself, instinctively, beautifully, as having dealt, all her life, at her father’s side and by his example, only in reasonable reasons; and what she would really have been most ashamed of would be to produce for HIM, in this line, some inferior substitute.
[Maggie]By the end of a week, the week that had begun, especially, with her morning hour, in Eaton Square, between her father and his wife, her consciousness of being beautifully treated had become again verily greater than her consciousness of anything else; and I must add, moreover, that she at last found herself rather oddly wondering what else, as a consciousness, could have been quite so overwhelming.
[Maggie]. Then, however, immediately, and even though superficially, there had declared itself a readjustment of relations to which she was, once more, practically a little sacrificed. “I must do everything,” she had said, “without letting papa see what I do—at least till it’s done!” but she scarce knew how she proposed, even for the next few days, to blind or beguile this participant in her life. What had in fact promptly enough happened, she presently recognised, was that if her stepmother had beautifully taken possession of her, and if she had virtually been rather snatched again thereby from her husband’s side, so, on the other hand, this had, with as little delay, entailed some very charming assistance for her in Eaton Square.
Book TWO Part 4 Chapter 27
Six other guests only, in addition to the host and the hostess of Matcham, made up the company, and each of these persons had for Maggie the interest of an attested connection with the Easter revels at that visionary house. Their common memory of an occasion that had clearly left behind it an ineffaceable charm—this air of beatific reference, less subdued in the others than in Amerigo and Charlotte, lent them, together, an inscrutable comradeship against which the young woman’s imagination broke in a small vain wave.
[Maggie of Lady Castledean] Her ladyship’s assumption was that she kept, at every moment of her life, every advantage—it made her beautifully soft, very nearly generous; so she didn’t distinguish the little protuberant eyes of smaller social insects, often endowed with such a range, from the other decorative spots on their bodies and wings.
[Adam] He brought it out straight, made it bravely and beautifully irrelevant, save for the plea of what they should lose by breaking the charm: “I guess we won’t go down there after all, will we, Mag?—just when it’s getting so pleasant here.” That was all, with nothing to lead up to it; but it was done for her at a stroke, and done, not less, more rather, for Amerigo and Charlotte, on whom the immediate effect, as she secretly, as she almost breathlessly measured it, was prodigious.
[The prince]. He KNEW HOW to resort to it—he could be, on occasion, as she had lately more than ever learned, so munificent a lover: all of which was, precisely, a part of the character she had never ceased to regard in him as princely, a part of his large and beautiful ease, his genius for charm, for intercourse, for expression, for life. She should have but to lay her head back on his shoulder with a certain movement to make it definite for him that she didn’t resist.
[Maggie to the prince]“It’s as if we had been missing each other, had got a little apart—though going on so side by side. But the good moments, if one only waits for them,” she hastened to add, “come round of themselves. Moreover you’ve seen for yourself, since you’ve made it up so to father; feeling, for yourself, in your beautiful way, every difference, every air that blows; not having to be told or pushed, only being perfect to live with, through your habit of kindness and your exquisite instincts.
[Maggie to the prince]“Your taking the child down yourself, those days, and your coming, each time, to bring him away—nothing in the world, nothing you could have invented, would have kept father more under the charm. Besides, you know how you’ve always suited him, and how you’ve always so beautifully let it seem to him that he suits you. Only it has been, these last weeks, as if you wished—just in order to please him—to remind him of it afresh.”
[Maggie and prince]“And would you like to be here alone with her for a month?”
“I could do with it beautifully. Or we might even,” she said quite gaily, “go together down to Fawns.”
“You could be so very content without me?” the Prince presently inquired.
[Maggie and prince]“We shall simply go on as we are.”
“Well, we’re going on beautifully,” he answered—though by no means with the effect it would have had if their mute transaction, that of attempted capture and achieved escape, had not taken place. As Maggie said nothing, none the less, to gainsay his remark, it was open to him to find himself the next moment conscious of still another idea.
Book TWO Part 4 Chapter 28
[‘Young friend’ =Maggie] The perception of this high result caused Mrs. Assingham fairly to flush with responsive joy; she glittered at her young friend, from moment to moment, quite feverishly; it was positively as if her young friend had, in some marvellous, sudden, supersubtle way, become a source of succour to herself, become beautifully, divinely retributive.
[Maggie wanting to say this to Adam] She was powerless, however, was only more utterly hushed, when the interrupting flash came, when she would have been all ready to say to him, “Yes, this is by every appearance the best time we’ve had yet; but don’t you see, all the same, how they must be working together for it, and how my very success, my success in shifting our beautiful harmony to a new basis, comes round to being their success, above all; their cleverness, their amiability, their power to hold out, their complete possession, in short, of our life?”
[Maggie wanting to say this to Prince] She couldn’t—and he knew it—say what was true: “Oh, you ‘use’ her, and I use her, if you will, yes; but we use her ever so differently and separately—not at all in the same way or degree. There’s nobody we really use together but ourselves, don’t you see?—by which I mean that where our interests are the same I can so beautifully, so exquisitely serve you for everything, and you can so beautifully, so exquisitely serve me. The only person either of us needs is the other of us; so why, as a matter of course, in such a case as this, drag in Charlotte?”
[Maggie, Prince] She couldn’t so challenge him, because it would have been—and there she was paralysed—the NOTE. It would have translated itself on the spot, for his ear, into jealousy; and, from reverberation to repercussion, would have reached her father’s exactly in the form of a cry piercing the stillness of peaceful sleep. It had been for many days almost as difficult for her to catch a quiet twenty minutes with her father as it had formerly been easy; there had been in fact, of old—the time, so strangely, seemed already far away—an inevitability in her longer passages with him, a sort of domesticated beauty in the calculability, round about them, of everything.
[Maggie and Father] They had never availed themselves of any given quarter-of-an-hour to gossip about fundamentals; they moved slowly through large still spaces; they could be silent together, at any time, beautifully, with much more comfort than hurriedly expressive. It appeared indeed to have become true that their common appeal measured itself, for vividness, just by this economy of sound; they might have been talking “at” each other when they talked with their companions, but these latter, assuredly, were not in any directer way to gain light on the current phase of their relation.
[Principino] She saw, of a sudden, everything she might say or do in the light of that undertaking, established connections from it with any number of remote matters, struck herself, for instance, as acting all in its interest when she proposed their going out, in the exercise of their freedom and in homage to the season, for a turn in the Regent’s Park. This resort was close at hand, at the top of Portland Place, and the Principino, beautifully better, had already proceeded there under high attendance: all of which considerations were defensive for Maggie, all of which became, to her mind, part of the business of cultivating continuity.
[Maggie of Father] She groaned to herself, while the vain imagination lasted, “WHY did he marry? ah, why DID he?” and then it came up to her more than ever that nothing could have been more beautiful than the way in which, till Charlotte came so much more closely into their life, Amerigo hadn’t interfered.
Book TWO Part 4 Chapter 29
[Maggie and Father]. It had made him think indeed a little longer than she had meant; but he came up again, as she might have said, smiling. “Well, I don’t know. We get nothing but the fun, do we?”
“No,” she had hastened to declare; “we certainly get nothing but the fun.”
“We do it all,” he had remarked, “so beautifully.”
“We do it all so beautifully.” She hadn’t denied this for a moment. “I see what you mean.”
“Well, I mean too,” he had gone on, “that we haven’t, no doubt, enough, the sense of difficulty.”
“Enough? Enough for what?”
“Enough not to be selfish.”
“I don’t think YOU are selfish,” she had returned—and had managed not to wail it.
“I don’t say that it’s me particularly—or that it’s you or Charlotte or Amerigo. But we’re selfish together—we move as a selfish mass. You see we want always the same thing,” he had gone on—”and that holds us, that binds us, together. We want each other,” he had further explained; “only wanting it, each time, FOR each other. That’s what I call the happy spell; but it’s also, a little, possibly, the immorality.”
But the beauty of it is, at the same time, that we ARE doing; we’re doing, that is, after all, what we went in for. We’re working it, our life, our chance, whatever you may call it, as we saw it, as we felt it, from the first. We HAVE worked it, and what more can you do than that?
He had hesitated, but only a moment. “I never told you so.”
“Well, Charlotte herself soon enough told me.”
“But I never told HER,” her father had answered.
“Are you very sure?” she had presently asked.
“Well, I like to think how thoroughly I was taken with her, and how right I was, and how fortunate, to have that for my basis. I told her all the good I thought of her.”
“Then that,” Maggie had returned, “was precisely part of the good. I mean it was precisely part of it that she could so beautifully understand.”
“Yes—understand everything.”
Book TWO Part 4 Chapter 30
[Maggie] There was a blankness in her blandness, assuredly, and very nearly an extravagance in her generalising gaiety; a precipitation of cheer particularly marked whenever they met again after short separations: meetings during the first flush of which Maggie sometimes felt reminded of other looks in other faces; of two strangely unobliterated impressions above all, the physiognomic light that had played out in her husband at the shock—she had come at last to talk to herself of the “shock”—of his first vision of her on his return from Matcham and Gloucester, and the wonder of Charlotte’s beautiful bold wavering gaze when, the next morning in Eaton Square, this old friend had turned from the window to begin to deal with her.
[Maggie] If she had dared to think of it so crudely she would have said that Fanny was afraid of her, afraid of something she might say or do, even as, for their few brief seconds, Amerigo and Charlotte had been—which made, exactly, an expressive element common to the three. The difference however was that this look had in the dear woman its oddity of a constant renewal, whereas it had never for the least little instant again peeped out of the others. Other looks, other lights, radiant and steady, with the others, had taken its place, reaching a climax so short a time ago, that morning of the appearance of the pair on the balcony of her house to overlook what she had been doing with her father; when their general interested brightness and beauty, attuned to the outbreak of summer, had seemed to shed down warmth and welcome and the promise of protection.
[What Maggie might say to Father with respect to Charlotte] This last advantage for her, was, however, too sadly out of the question; her sole strength lay in her being able to see that if Charlotte wouldn’t “want” the Assinghams it would be because that sentiment too would have motives and grounds. She had all the while command of one way of meeting any objection, any complaint, on his wife’s part, reported to her by her father; it would be open to her to retort to his possible “What are your reasons, my dear?” by a lucidly-produced “What are hers, love, please?—isn’t that what we had better know? Mayn’t her reasons be a dislike, beautifully founded, of the presence, and thereby of the observation, of persons who perhaps know about her things it’s inconvenient to her they should know?” That hideous card she might in mere logic play—being by this time, at her still swifter private pace, intimately familiar with all the fingered pasteboard in her pack.
[Maggie, Mrs. Assingham] For a minute after this they remained face to face; Maggie had sprung up while her friend sat enthroned, and, after moving to and fro in her intensity, now paused to receive the light she had invoked. It had accumulated, considerably, by this time, round Mrs. Assingham’s ample presence, and it made, even to our young woman’s own sense, a medium in which she could at last take a deeper breath. “I’ve affected you, these months—and these last weeks in especial—as quiet and natural and easy?”
But it was a question that took, not imperceptibly, some answering. “You’ve never affected me, from the first hour I beheld you, as anything but—in a way all your own—absolutely good and sweet and beautiful. In a way, as I say,” Mrs. Assingham almost caressingly repeated, “just all your very own—nobody else’s at all. I’ve never thought of you but as OUTSIDE of ugly things, so ignorant of any falsity or cruelty or vulgarity as never to have to be touched by them or to touch them. I’ve never mixed you up with them; there would have been time enough for that if they had seemed to be near you. But they haven’t—if that’s what you want to know.”
Book TWO Part 4 Chapter 31
[Assinghams] This, on each occasion, put the matter so at the worst that repetition even scarce controlled the hot flush with which she was compelled to see the parts of the whole history, all its ugly consistency and its temporary gloss, hang together. She enjoyed, invariably, the sense of making her danger present, of making it real, to her husband, and of his almost turning pale, when their eyes met, at this possibility of their compromised state and their shared discredit. The beauty was that, as under a touch of one of the ivory notes at the left of the keyboard, he sounded out with the short sharpness of the dear fond stupid uneasy man. “Conspiring—so far as YOU were concerned—to what end?”
[Assinghams]“Down even to the facility of your minding everything so little—from your own point of view—as to have supplied him with the enjoyment of TWO beautiful women.”
“Down even to THAT—to the monstrosity of my folly. But not,” Mrs. Assingham added, “‘two’ of anything. One beautiful woman—and one beautiful fortune. That’s what a creature of pure virtue exposes herself to when she suffers her pure virtue, suffers her sympathy, her disinterestedness, her exquisite sense for the lives of others, to carry her too far. Voila.”
“I see. It’s the way the Ververs have you.”
“It’s the way the Ververs ‘have’ me. It’s in other words the way they would be able to make such a show to each other of having me—if Maggie weren’t so divine.”
{Fanny of Maggie] If I’ll keep them quiet, in a word, it will enable her to gain time—time as against any idea of her father’s—and so, somehow, come out. If I’ll take care of Charlotte, in particular, she’ll take care of the Prince; and it’s beautiful and wonderful, really pathetic and exquisite, to see what she feels that time may do for her.”
{Fanny of Charlotte and the Prince]“There must be people in possession of it? Ah, it isn’t all,” she always remembered, “up and down London. Some of it must connect them—I mean,” she musingly added, “it naturally WOULD—with other places; with who knows what strange adventures, opportunities, dissimulations? But whatever there may have been, it will also all have been buried on the spot. Oh, they’ve known HOW—too beautifully! But nothing, all the same, is likely to find its way to Maggie of itself.”
Book TWO Part 4 Chapter 32
[Maggie] If Charlotte, while she was about it, could only have been WORSE!—that idea Maggie fell to invoking instead of the idea that she might desirably have been better. For, exceedingly odd as it was to feel in such ways, she believed she mightn’t have worried so much if she didn’t somehow make her stepmother out, under the beautiful trees and among the dear old gardens, as lavish of fifty kinds of confidence and twenty kinds, at least, of gentleness.
{Maggie and Prince] d been. He might tell her only what he wanted, only what would work upon her by the beauty of his appeal; and the result of the direct appeal of ANY beauty in him would be her helpless submission to his terms. All her temporary safety, her hand-to-mouth success, accordingly, was in his neither perceiving nor divining this, thanks to such means as she could take to prevent him; take, literally from hour to hour, during these days of more unbroken exposure. From hour to hour she fairly expected some sign of his having decided on a jump. “Ah yes, it HAS been as you think; I’ve strayed away, I’ve fancied myself free, given myself in other quantities, with larger generosities, because I thought you were different—different from what I now see. But it was only, only, because I didn’t know—and you must admit that you gave me scarce reason enough. Reason enough, I mean, to keep clear of my mistake; to which I confess, for which I’ll do exquisite penance, which you can help me now, I too beautifully feel, to get completely over.
More and more magnificent now in her blameless egoism, Maggie asked no questions of her, and thus only signified the greatness of the opportunity she gave her. She didn’t care for what devotions, what dinners of their own the Assinghams might have been “booked”; that was a detail, and she could think without wincing of the ruptures and rearrangements to which her service condemned them. It all fell in beautifully, moreover; so that, as hard, at this time, in spite of her fever, as a little pointed diamond, the Princess showed something of the glitter of consciously possessing the constructive, the creative hand.
Book TWO Part 4 Chapter 33
[Maggie] There could perhaps have been no stronger mark than this sense of well-nigh romantic opportunity—no livelier sign of the impression made on her, and always so long retained, so watchfully nursed, by any observation of Charlotte’s, however lightly thrown off. And then she had felt, somehow, more at her ease than for months and months before; she didn’t know why, but her time at the Museum, oddly, had done it; it was as if she hadn’t come into so many noble and beautiful associations, nor secured them also for her boy, secured them even for her father, only to see them turn to vanity and doubt, turn possibly to something still worse.
[Fanny, ‘her companion’= Maggie] She was reminded of the terms on which she was let off—her quantity of release having made its sufficient show in that recall of her relation to Charlotte’s old reappearance; and deep within the whole impression glowed—ah, so inspiringly when it came to that! her steady view, clear from the first, of the beauty of her companion’s motive.
[Maggie of Prince] “It’s quite as if he had an instinct—something that has warned him off or made him uneasy. He doesn’t quite know, naturally, what has happened, but guesses, with his beautiful cleverness, that something has, and isn’t in a hurry to be confronted with it. So, in his vague fear, he keeps off.”
“Not, at any rate, to care for me as you cared for Amerigo and for Charlotte. They were much more interesting—it was perfectly natural. How couldn’t you like Amerigo?” Maggie continued.
Mrs. Assingham gave it up. “How couldn’t I, how couldn’t I?” Then, with a fine freedom, she went all her way. “How CAN’T I, how can’t I?”
It fixed afresh Maggie’s wide eyes on her. “I see—I see. Well, it’s beautiful for you to be able to. And of course,” she added, “you wanted to help Charlotte.”
“Yes”—Fanny considered it—”I wanted to help Charlotte. But I wanted also, you see, to help you—by not digging up a past that I believed, with so much on top of it, solidly buried. I wanted, as I still want,” she richly declared, “to help every one.”
Fanny Assingham met it as she could. “You’ve been only too perfect. You’ve thought only too much.”
But the Princess had already caught at the words. “Yes—I’ve thought only too much!” Yet she appeared to continue, for the minute, full of that fault. She had it in fact, by this prompted thought, all before her. “Of him, dear man, of HIM—!”
Her friend, able to take in thus directly her vision of her father, watched her with a new suspense. THAT way might safety lie—it was like a wider chink of light. “He believed—with a beauty!—in Charlotte.”
“Yes, and it was I who had made him believe. I didn’t mean to, at the time, so much; for I had no idea then of what was coming. But I did it, I did it!” the Princess declared.
“With a beauty—ah, with a beauty, you too!” Mrs. Assingham insisted.
Book TWO Part 4 Chapter 34
[Maggie and Prince] He had, not unnaturally, failed to see this occurrence represented by the three fragments of an object apparently valuable which lay there on the floor and which, even across the width of the room, his kept interval, reminded him, unmistakably though confusedly, of something known, some other unforgotten image. That was a mere shock, that was a pain—as if Fanny’s violence had been a violence redoubled and acting beyond its intention, a violence calling up the hot blood as a blow across the mouth might have called it. Maggie knew as she turned away from him that she didn’t want his pain; what she wanted was her own simple certainty—not the red mark of conviction flaming there in his beauty. If she could have gone on with bandaged eyes she would have liked that best; if it were a question of saying what she now, apparently, should have to, and of taking from him what he would say, any blindness that might wrap it would be the nearest approach to a boon.
[Of the broken golden bowl] It was shown me, and I was struck with it and took it—knowing nothing about it at the time. What I now know I’ve learned since—I learned this afternoon, a couple of hours ago; receiving from it naturally a great impression. So there it is—in its three pieces. You can handle them—don’t be afraid—if you want to make sure the thing is the thing you and Charlotte saw together. Its having come apart makes an unfortunate difference for its beauty, its artistic value, but none for anything else. Its other value is just the same—I mean that of its having given me so much of the truth about you. I don’t therefore so much care what becomes of it now—unless perhaps you may yourself, when you come to think, have some good use for it. In that case,” Maggie wound up, “we can easily take the pieces with us to Fawns.”
Amerigo was at any rate having the sensation of a particular ugliness to avoid, a particular difficulty to count with, that practically found him as unprepared as if he had been, like his wife, an abjectly simple person. And she meanwhile, however abjectly simple, was further discerning, for herself, that, whatever he might have to take from her—she being, on her side, beautifully free—he would absolutely not be able, for any qualifying purpose, to name Charlotte either.
[Maggie and Prince] “Oh, I’m far from wanting it back—I feel so that I’m getting its worth.” With which, before he could reply, she had a quick transition. “The great fact about the day we’re talking of seems to me to have been, quite remarkably, that no present was then made me. If your undertaking had been for that, that was not at least what came of it.”
“You received then nothing at all?” The Prince looked vague and grave, almost retrospectively concerned.
“Nothing but an apology for empty hands and empty pockets; which was made me—as if it mattered a mite!—ever so frankly, ever so beautifully and touchingly.”
Book TWO Part 5 Chapter 35
[‘Her’= Maggie] There was no one to help her with it—not even Fanny Assingham now; this good friend’s presence having become, inevitably, with that climax of their last interview in Portland Place, a severely simplified function. She had her use, oh yes, a thousand times; but it could only consist henceforth in her quite conspicuously touching at no point whatever—assuredly, at least with Maggie—the matter they had discussed. She was there, inordinately, as a value, but as a value only for the clear negation of everything. She was their general sign, precisely, of unimpaired beatitude—and she was to live up to that somewhat arduous character, poor thing, as she might. She might privately lapse from it, if she must, with Amerigo or with Charlotte—only not, of course, ever, so much as for the wink of an eye, with the master of the house.
[Merchant who sold bowl, Maggie.] That the partner of her bargain had yearned to see her again, that he had plainly jumped at a pretext for it, this also she had frankly expressed herself to the Prince as having, in no snubbing, no scandalised, but rather in a positively appreciative and indebted spirit, not delayed to make out. He had wished, ever so seriously, to return her a part of her money, and she had wholly declined to receive it; and then he had uttered his hope that she had not, at all events, already devoted the crystal cup to the beautiful purpose she had, so kindly and so fortunately, named to him. It wasn’t a thing for a present to a person she was fond of, for she wouldn’t wish to give a present that would bring ill luck. That had come to him—so that he couldn’t rest, and he should feel better now that he had told her. His having led her to act in ignorance was what he should have been ashamed of; and, if she would pardon, gracious lady as she was, all the liberties he had taken, she might make of the bowl any use in life but that one.
During those of Maggie’s vigils in which that view loomed largest, the image of her husband that it thus presented to her gave out a beauty for the revelation of which she struck herself as paying, if anything, all too little. To make sure of it—to make sure of the beauty shining out of the humility, and of the humility lurking in all the pride of his presence—she would have gone the length of paying more yet, of paying with difficulties and anxieties compared to which those actually before her might have been as superficial as headaches or rainy days.
Book TWO Part 5 Chapter 36
[Maggie] Nothing in fact was stranger than the way in which, when she had remained there a little, her companions, watched by her through one of the windows, actually struck her as almost consciously and gratefully safer. They might have been—really charming as they showed in the beautiful room, and Charlotte certainly, as always, magnificently handsome and supremely distinguished—they might have been figures rehearsing some play of which she herself was the author; they might even, for the happy appearance they continued to present, have been such figures as would, by the strong note of character in each, fill any author with the certitude of success, especially of their own histrionic.
Such a glimpse of her conceivable idea, which would be founded on reasons all her own, reasons of experience and assurance, impenetrable to others, but intimately familiar to herself—such a glimpse opened out wide as soon as it had come into view; for if so much as this was still firm ground between the elder pair, if the beauty of appearances had been so consistently preserved, it was only the golden bowl as Maggie herself knew it that had been broken. The breakage stood not for any wrought discomposure among the triumphant three—it stood merely for the dire deformity of her attitude toward them.
Charlotte had marched straight in, dragging her rich train; she rose there beautiful and free, with her whole aspect and action attuned to the firmness of her speech. Maggie had kept the shawl she had taken out with her, and, clutching it tight in her nervousness, drew it round her as if huddling in it for shelter, covering herself with it for humility.
[Maggie] “You must take it from me that your anxiety rests quite on a misconception. You must take it from me that I’ve never at any moment fancied I could suffer by you.” And, marvellously, she kept it up—not only kept it up, but improved on it. “You must take it from me that I’ve never thought of you but as beautiful, wonderful and good. Which is all, I think, that you can possibly ask.”
Book TWO Part 5 Chapter 37
[Adam, Maggie] It was positively as if, in short, the inward felicity of their being once more, perhaps only for half-an-hour, simply daughter and father had glimmered out for them, and they had picked up the pretext that would make it easiest. They were husband and wife—oh, so immensely!—as regards other persons; but after they had dropped again on their old bench, conscious that the party on the terrace, augmented, as in the past, by neighbours, would do beautifully without them, it was wonderfully like their having got together into some boat and paddled off from the shore where husbands and wives, luxuriant complications, made the air too tropical.
[Adam, Maggie]Her father listened to this declaration as if the precautions of her general mercy could still, as they betrayed themselves, have surprises for him—to say nothing of a charm of delicacy and beauty; he might have been wishing to see how far she could go and where she would, all touchingly to him, arrive.
[Adam, Maggie] “No, we’re not proud,” she answered after a moment. “I’m not sure that we’re quite proud enough.” Yet she changed the next instant that subject too. She could only do so, however, by harking back—as if it had been a fascination. She might have been wishing, under this renewed, this still more suggestive visitation, to keep him with her for remounting the stream of time and dipping again, for the softness of the water, into the contracted basin of the past. “We talked about it—we talked about it; you don’t remember so well as I. You too didn’t know—and it was beautiful of you; like Kitty and Dotty you too thought we had a position, and were surprised when I thought we ought to have told them we weren’t doing for them what they supposed. In fact,” Maggie pursued, “we’re not doing it now. We’re not, you see, really introducing them. I mean not to the people they want.”
“Well, you admitted”—Maggie kept it up—”that that was a good difficulty. You confessed that our life did seem to be beautiful.”
He thought a moment. “Yes—I may very well have confessed it, for so it did seem to me.” But he guarded himself with his dim, his easier smile. “What do you want to put on me now?”
“Only that we used to wonder—that we were wondering then—if our life wasn’t perhaps a little selfish.” This also for a time, much at his leisure, Adam Verver retrospectively fixed. “Because Fanny Assingham thought so?”
Besides, who but himself really knew what he, after all, hadn’t, or even had, gained? The beauty of her condition was keeping him, at any rate, as he might feel, in sight of the sea, where, though his personal dips were over, the whole thing could shine at him, and the air and the plash and the play become for him too a sensation.
[Maggie, Adam] With which, his glasses still fixed on her, his hands in his pockets, his hat pushed back, his legs a little apart, he seemed to plant or to square himself for a kind of assurance it had occurred to him he might as well treat her to, in default of other things, before they changed their subject. It had the effect, for her, of a reminder—a reminder of all he was, of all he had done, of all, above and beyond his being her perfect little father, she might take him as representing, take him as having, quite eminently, in the eyes of two hemispheres, been capable of, and as therefore wishing, not—was it?—illegitimately, to call her attention to. The “successful,” beneficent person, the beautiful, bountiful, original, dauntlessly wilful great citizen, the consummate collector and infallible high authority he had been and still was—these things struck her, on the spot, as making up for him, in a wonderful way, a character she must take into account in dealing with him either for pity or for envy.
Book TWO Part 5 Chapter 38
A few days of this, accordingly, had wrought a change in that apprehension of the instant beatitude of triumph—of triumph magnanimous and serene—with which the upshot of the night-scene on the terrace had condemned our young woman to make terms. She had had, as we know, her vision of the gilt bars bent, of the door of the cage forced open from within and the creature imprisoned roaming at large—a movement, on the creature’s part, that was to have even, for the short interval, its impressive beauty, but of which the limit, and in yet another direction, had loomed straight into view during her last talk under the great trees with her father. It was when she saw his wife’s face ruefully attached to the quarter to which, in the course of their session, he had so significantly addressed his own—it was then that Maggie could watch for its turning pale, it was then she seemed to know what she had meant by thinking of her, in she shadow of his most ominous reference, as “doomed.”
[Charlotte] One of the attentions she had from immediately after her marriage most freely paid him was that of her interest in his rarities, her appreciation of his taste, her native passion for beautiful objects and her grateful desire not to miss anything he could teach her about them. Maggie had in due course seen her begin to “work” this fortunately natural source of sympathy for all it was worth.
[Charlotte] Charlotte hung behind, with emphasised attention; she stopped when her husband stopped, but at the distance of a case or two, or of whatever other succession of objects; and the likeness of their connection would not have been wrongly figured if he had been thought of as holding in one of his pocketed hands the end of a long silken halter looped round her beautiful neck.
[Maggie] Charlotte’s one opportunity, meanwhile, for the air of confidence she had formerly worn so well and that agreed so with her firm and charming type, was the presence of visitors, never, as the season advanced, wholly intermitted—rather, in fact, so constant, with all the people who turned up for luncheon and for tea and to see the house, now replete, now famous, that Maggie grew to think again of this large element of “company” as of a kind of renewed water-supply for the tank in which, like a party of panting gold-fish, they kept afloat. It helped them, unmistakably, with each other, weakening the emphasis of so many of the silences of which their intimate intercourse would otherwise have consisted. Beautiful and wonderful for her, even, at times, was the effect of these interventions—their effect above all in bringing home to each the possible heroism of perfunctory things.
The sound was in her own ears still—that of Charlotte’s high coerced quaver before the cabinets in the hushed gallery; the voice by which she herself had been pierced the day before as by that of a creature in anguish and by which, while she sought refuge at the blurred window, the tears had been forced into her eyes. Her comprehension soared so high that the wonder for her became really his not feeling the need of wider intervals and thicker walls. Before THAT admiration she also meditated; consider as she might now, she kept reading not less into what he omitted than into what he performed a beauty of intention that touched her fairly the more by being obscure. It was like hanging over a garden in the dark; nothing was to be made of the confusion of growing things, but one felt they were folded flowers, and their vague sweetness made the whole air their medium.
Book TWO Part 5 Chapter 39: 000
Book TWO Part 6 Chapter 40
[Maggie to Prince] “I’ll do anything you like,” she said to her husband on one of the last days of the month, “if our being here, this way at this time, seems to you too absurd, or too uncomfortable, or too impossible. We’ll either take leave of them now, without waiting—or we’ll come back in time, three days before they start. I’ll go abroad with you, if you but say the word; to Switzerland, the Tyrol, the Italian Alps, to whichever of your old high places you would like most to see again—those beautiful ones that used to do you good after Rome and that you so often told me about.”
Book TWO Part 6 Chapter 41
[Maggie] After which while Amerigo watched her, and in fact quite because of it, she had an inspiration, to which she presently yielded. If he was wondering what she would say next she had found exactly the thing. “In that case he will leave you Charlotte to take care of in our absence. You’ll have to carry her off somewhere for your last evening; unless you may prefer to spend it with her here. I shall then see that you dine, that you have everything, quite beautifully. You’ll be able to do as you like.”
[Maggie, Prince] They were all, apparently, queer for him, but she had at least, with the lapse of the months, created the perception that there might be something in them; whereby he stared there, beautiful and sombre, at what she was at present providing him with.
[Maggie to Prince of Charlotte] This was eminent sense, but it didn’t arrest the Princess, who, the next moment, had found a form for her challenge. “But shan’t you then so much as miss her a little? She’s wonderful and beautiful, and I feel somehow as if she were dying. Not really, not physically,” Maggie went on—”she’s so far, naturally, splendid as she is, from having done with life. But dying for us—for you and me; and making us feel it by the very fact of there being so much of her left.”
“You spoke just now of Charlotte’s not having learned from you that I ‘know.’ Am I to take from you then that you accept and recognise my knowledge?”
He did the inquiry all the honours—visibly weighed its importance and weighed his response. “You think I might have been showing you that a little more handsomely?”
“It isn’t a question of any beauty,” said Maggie; “it’s only a question of the quantity of truth.”
“Oh, the quantity of truth!” the Prince richly, though ambiguously, murmured.
“That’s a thing by itself, yes. But there are also such things, all the same, as questions of good faith.”
“Of course there are!” the Prince hastened to reply. After which he brought up more slowly: “If ever a man, since the beginning of time, acted in good faith!” But he dropped it, offering it simply for that.
He was so near now that she could touch him, taste him, smell him, kiss him, hold him; he almost pressed upon her, and the warmth of his face—frowning, smiling, she mightn’t know which; only beautiful and strange—was bent upon her with the largeness with which objects loom in dreams. She closed her eyes to it, and so, the next instant, against her purpose, she had put out her hand, which had met his own and which he held.
Book TWO Part 6 Chapter 42
The question of the amount of correction to which Charlotte had laid herself open rose and hovered, for the instant, only to sink, conspicuously, by its own weight; so high a pitch she seemed to give to the unconsciousness of questions, so resplendent a show of serenity she succeeded in making. The shade of the official, in her beauty and security, never for a moment dropped; it was a cool, high refuge, like the deep, arched recess of some coloured and gilded image, in which she sat and smiled and waited, drank her tea, referred to her husband and remembered her mission. Her mission had quite taken form—it was but another name for the interest of her great opportunity—that of representing the arts and the graces to a people languishing, afar off, in ignorance
[‘His sentiment’ =Adam’s] The tenderness represented for her by his sacrifice of such a treasure had become, to her sense, a part of the whole infusion, of the immortal expression; the beauty of his sentiment looked out at her, always, from the beauty of the rest, as if the frame made positively a window for his spiritual face: she might have said to herself, at this moment, that in leaving the thing behind him, held as in her clasping arms, he was doing the most possible toward leaving her a part of his palpable self.
[Of Charlotte] “Oh, but naturally!” On which, as the warranted truth of it hung in the air—the truth warranted, as who should say, exactly by the present opportunity to pronounce, this opportunity created and accepted—she found herself lost, though with a finer thrill than she had perhaps yet known, in the vision of all he might mean. The sense of it in her rose higher, rose with each moment that he invited her thus to see him linger; and when, after a little more, he had said, smoking again and looking up, with head thrown back and hands spread on the balcony rail, at the grey, gaunt front of the house, “She’s beautiful, beautiful!” her sensibility reported to her the shade of a new note. It was all she might have wished, for it was, with a kind of speaking competence, the note of possession and control; and yet it conveyed to her as nothing till now had done the reality of their parting. They were parting, in the light of it, absolutely on Charlotte’s VALUE—the value that was filling the room out of which they had stepped as if to give it play, and with which the Prince, on his side, was perhaps making larger acquaintance. If Maggie had desired, at so late an hour, some last conclusive comfortable category to place him in for dismissal, she might have found it here in its all coming back to his ability to rest upon high values. Somehow, when all was said, and with the memory of her gifts, her variety, her power, so much remained of Charlotte’s! What else had she herself meant three minutes before by speaking of her as great? Great for the world that was before her—that he proposed she should be: she was not to be wasted in the application of his plan. Maggie held to this then—that she wasn’t to be wasted. To let his daughter know it he had sought this brief privacy. What a blessing, accordingly, that she could speak her joy in it! His face, meanwhile, at all events, was turned to her, and as she met his eyes again her joy went straight. “It’s success, father.”
‘Beautiful’ – Golden Bowl / 1
April 13, 2013Book ONE, PART 1, chapter 1:
[Maggie and the Prince.]”You Americans are almost incredibly romantic.”
“Of course we are. That’s just what makes everything so nice for us.”
“Everything?” He had wondered.
“Well, everything that’s nice at all. The world, the beautiful, world—or everything in it that is beautiful. I mean we see so much.”
He had looked at her a moment—and he well knew how she had struck him, in respect to the beautiful world, as one of the beautiful, the most beautiful things. But what he had answered was: “You see too much—that’s what may sometimes make you difficulties. When you don’t, at least,” he had amended with a further thought, “see too little.” But he had quite granted that he knew what she meant, and his warning perhaps was needless.
He had seen the follies of the romantic disposition, but there seemed somehow no follies in theirs—nothing, one was obliged to recognise, but innocent pleasures, pleasures without penalties. Their enjoyment was a tribute to others without being a loss to themselves. Only the funny thing, he had respectfully submitted, was that her father, though older and wiser, and a man into the bargain, was as bad—that is as good—as herself.
“Oh, he’s better,” the girl had freely declared “that is he’s worse. His relation to the things he cares for—and I think it beautiful—is absolutely romantic. So is his whole life over here—it’s the most romantic thing I know.”
“You mean his idea for his native place?”
“Yes—the collection, the Museum with which he wishes to endow it, and of which he thinks more, as you know, than of anything in the world. It’s the work of his life and the motive of everything he does.”
The young man, in his actual mood, could have smiled again—smiled delicately, as he had then smiled at her. “Has it been his motive in letting me have you?”
“Yes, my dear, positively—or in a manner,” she had said.
“American City isn’t, by the way, his native town, for, though he’s not old, it’s a young thing compared with him—a younger one. He started there, he has a feeling about it, and the place has grown, as he says, like the programme of a charity performance. You’re at any rate a part of his collection,” she had explained—”one of the things that can only be got over here. You’re a rarity, an object of beauty, an object of price. You’re not perhaps absolutely unique, but you’re so curious and eminent that there are very few others like you—you belong to a class about which everything is known. You’re what they call a morceau de musee.”
Youth and beauty made him scarcely turn, but the image of Mrs. Assingham made him presently stop a hansom. HER youth, her beauty were things more or less of the past, but to find her at home, as he possibly might, would be “doing” what he still had time for, would put something of a reason into his restlessness and thereby probably soothe it.
‘Beautiful’ – Golden Bowl / 2
April 13, 2013Book ONE, PART 1, chapter 2:
[Fanny and the prince]. He looked about, to put himself more in relation with the place; then, after an hesitation, seemed to speak certain words instead of certain others. “Oh, I know where I AM—! I do decline to be left, but what I came for, of course, was to thank you. If to-day has seemed, for the first time, the end of preliminaries, I feel how little there would have been any at all without you. The first were wholly yours.”
“Well,” said Mrs. Assingham, “they were remarkably easy. I’ve seen them, I’ve HAD them,” she smiled, “more difficult. Everything, you must feel, went of itself. So, you must feel, everything still goes.”
The Prince quickly agreed. “Oh, beautifully! But you had the conception.”
“Ah, Prince, so had you!”
He looked at her harder a moment. “You had it first. You had it most.”
She returned his look as if it had made her wonder. “I LIKED it, if that’s what you mean. But you liked it surely yourself. I protest, that I had easy work with you. I had only at last—when I thought it was time—to speak for you.”
“All that is quite true. But you’re leaving me, all the same, you’re leaving me—you’re washing your hands of me,” he went on. “However, that won’t be easy; I won’t BE left.” And he had turned his eyes about again, taking in the pretty room that she had just described as her final refuge, the place of peace for a world-worn couple, to which she had lately retired with “Bob.” “I shall keep this spot in sight. Say what you will, I shall need you. I’m not, you know,” he declared, “going to give you up for anybody.”
“If you’re afraid—which of course you’re not—are you trying to make me the same?” she asked after a moment.
He waited a minute too, then answered her with a question. “You say you ‘liked’ it, your undertaking to make my engagement possible. It remains beautiful for me that you did; it’s charming and unforgettable. But, still more, it’s mysterious and wonderful. WHY, you dear delightful woman, did you like it?”
[Of Fanny and the prince.] The spectator of whom they would thus well have been worthy might have read meanings of his own into the intensity of their communion—or indeed, even without meanings, have found his account, aesthetically, in some gratified play of our modern sense of type, so scantly to be distinguished from our modern sense of beauty.
[Fanny and the prince speaking of Charlotte]. “I quite understand, of course, that, given her great friendship with Maggie, she should have wanted to be present. She has acted impulsively—but she has acted generously.”
“She has acted beautifully,” said the Prince.
“I say ‘generously’ because I mean she hasn’t, in any way, counted the cost. She’ll have it to count, in a manner, now,” his hostess continued. “But that doesn’t matter.”
[Of the prince.] The young man’s expression became, after this fashion, something vivid and concrete—a beautiful personal presence, that of a prince in very truth, a ruler, warrior, patron, lighting up brave architecture and diffusing the sense of a function. It had been happily said of his face that the figure thus appearing in the great frame was the ghost of some proudest ancestor. Whoever the ancestor now, at all events, the Prince was, for Mrs. Assingham’s benefit, in view of the people. He seemed, leaning on crimson damask, to take in the bright day. He looked younger than his years; he was beautiful, innocent, vague
‘Beautiful’ – Golden Bowl / 3
April 13, 2013Book ONE, Part 1, chapter 3
[Prince admiring Charlotte]. He knew her narrow hands, he knew her long fingers and the shape and colour of her finger-nails, he knew her special beauty of movement and line when she turned her back, and the perfect working of all her main attachments, that of some wonderful finished instrument, something intently made for exhibition, for a prize.
This was HIS, the man’s, any man’s, position and strength—that he had necessarily the advantage, that he only had to wait, with a decent patience, to be placed, in spite of himself, it might really be said, in the right. Just so the punctuality of performance on the part of the other creature was her weakness and her deep misfortune—not less, no doubt, than her beauty. It produced for the man that extraordinary mixture of pity and profit in which his relation with her, when he was not a mere brute, mainly consisted; and gave him in fact his most pertinent ground of being always nice to her, nice about her, nice FOR her.
{On Charlotte’s facility with Italian.] It wasn’t a question of her strange sense for tongues, with which she juggled as a conjuror at a show juggled with balls or hoops or lighted brands—it wasn’t at least entirely that, for he had known people almost as polyglot whom their accomplishment had quite failed to make interesting. He was polyglot himself, for that matter—as was the case too with so many of his friends and relations; for none of whom, more than for himself, was it anything but a common convenience. The point was that in this young woman it was a beauty in itself, and almost a mystery: so, certainly, he had more than once felt in noting, on her lips, that rarest, among the Barbarians, of all civil graces, a perfect felicity in the use of Italian.
“And you must help, dear,” Charlotte said unperturbed—”as you’ve helped, so beautifully, in such things before.” With which, before Mrs. Assingham could meet the appeal, she had addressed herself to the Prince on a matter much nearer to him. “YOUR marriage is on Friday?—on Saturday?”
‘Beautiful’ – Golden Bowl / 4
April 13, 2013Book ONE, Part 1, chapt 4.
{Fanny and the Colonel] “Then why won’t that do,” the Colonel asked, “for you to think it’s what she has come for?”
“How will it do, HOW?”—she went on as without hearing him.
“That’s what one keeps feeling.”
“Why shouldn’t it do beautifully?”
“That anything of the past,” she brooded, “should come back NOW? How will it do, how will it do?”
‘Beautiful’ – Golden Bowl / 5
April 12, 2013Book ONE, Part I, chapt. 5
(The Prince) This was like beginning something over, which was the last thing he wanted. The strength, the beauty of his actual position was in its being wholly a fresh start, was that what it began would be new altogether.
.i`` * ^ / . . . . . ` `~ 