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…

Amarcord (noticed that the man on top of the bonfire at the burning of the winter witch is like Uncle Teo up the tree — and the ladder image appears in each of these scenes also.)

*

The man on the bonfire is commanding while Uncle Teo is plaintive. “I have, I want, I command” –something like this says the man on top of the bonfire, the one that seats the witch of winter to be burnt –but– “I want a woman!” cries Uncle Teo. The man on the bonfire can’t come down (though wanting to) while Uncle Teo won’t come down (though this is required). (Is the dwarvish nun comparable to the witch of winter?)

(The stones in Uncle Teo’s pockets remind of the stone sucking in Molloy.)

(The farts sound like the motorcars and the motorbiker is called “The Fart.” Fart sounds interrupt the scholar speaking of the past. Our appreciation of or reverence for the past is interrupted by the body’s demands. But the machine/ technology, is demanding like the body.)

*
also in Amarcord in the figure of the father was perhaps a demonstration of a principle I recall Zizek or another having talked about: somehow the vehemence and violence of an authority figure is the display of his real impotence –by showing us his fury he shows us also the limits of his power. While the truly powerful and frightening authority figures are reserved, quiet — the nazis who interrogate the father. We can’t see their power’s limits.

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ARichardBentley (Melville English Publisher)

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Roman authors refer to the area they invaded as Boiohaemum, the earliest mention being in Tacitus’ Germania 28 (written at the end of the 1st century AD). The name appears to include the tribal name Boi- plus the Germanic element *haimaz “home”… Bohemia

underseal exformation
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Temptation of St. Hilarion
..Kentucky colonel*
…Victor Horta*
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Though it was only functional for a few decades, for more than 1,000 years it was the longest arch bridge in both total and span length …

Ulysses (127):

–Ohio! the editor crowed in high treble from his uplifted scarlet face. My Ohio!
–A Perfect cretic! the professor said. Long, short, and long.

“A trisyllabic metrical foot having an unaccented or short syllable between two accented or long syllables, as in Peter Pan.” Also called amphimacer. (Dic.) (wiki.) Apelles (an ancient Greek painter) Ras Siyyan, Sawabi islands, Bab-el-Mandeb ( some areas of South East Asian geography); a story about Apelles pertaining to his rival Protogenes —

Apelles travelled to Protogenes’ home in Rhodes to make the acquaintance of this painter he had heard so much about. Arriving at Protogenes’ studio, he encountered an old woman who told him that Protogenes was out and asked for his name so she could report who had enquired after him. Observing in the studio a panel Protogenes had prepared for a painting, Apelles walked over to the easel, and taking up a brush told the servant to tell Protogenes “this came from me,” and drew in colour an extremely fine line across the panel. When Protogenes returned, and the old woman explained what had taken place, he examined the line and pronounced that only Apelles could have done so perfect a piece of work; Protogenes then dipped a brush into another colour and drew a still finer line above the first one, and asked his servant to show this to the visitor should he return. When Apelles returned, and was shown Protogenes’ response, ashamed that he might be bettered, he drew in a third colour an even finer line between the first two, leaving no room for another display of craftsmanship. On seeing this, Protogenes admitted defeat, and went out to seek Apelles and meet him face-to-face

(Somewhat evokes the story of Giotto’s red circle).

*
It is an interesting question “who” is even speaking
when a business corporation places an advertisement that
endorses or attacks a particular candidate. Presumably it
is not the customers or employees, who typically have no
say in such matters. It cannot realistically be said to be
the shareholders, who tend to be far removed from the
day-to-day decisions of the firm and whose political prefer­
ences may be opaque to management. Perhaps the officers
or directors of the corporation have the best claim to be
the ones speaking, except their fiduciary duties generally
prohibit them from using corporate funds for personal
ends. Some individuals associated with the corporation
must make the decision to place the ad, but the idea that
these individuals are thereby fostering their self­
expression or cultivating their critical faculties is fanciful.
It is entirely possible that the corporation’s electoral mes­
sage will conflict with their personal convictions. Take
away the ability to use general treasury funds for some of
those ads, and no one’s autonomy, dignity, or political
equality has been impinged upon in the least.

(From Judge Stevens’ dissent, Citizen’s United)