Archive for May, 2015

Books that Pound Recommends for Study

May 31, 2015

In the essay “How To Read” Ezra Pound recommends the books below as “a curriculum for instructors, for obstreperous students who wish to annoy dull instructors, for men who haven’t had time for systemized college courses.” He stresses that you have to be careful about the translation and make inroads, even if not big ones, into learning the original language.
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–HOMER, in full

–OVID, and the Latin ‘personal’ poets, Catullus and Propertius.

–A PROVENCAL SONG BOOK– With cross reference to Minnesingers, and to Bion, perhaps thirty poems in all.

–DANTE– ‘And his circle’; that is to say Dante, and thirty poems by his contemporaries, mostly by Guido Cavalcanti.

–VILLON–

[…]

VOLTAIRE– That is to say, some incursion into his critical writings, not into his attempts at fiction and drama, and some dip into his contemporaries (prose).

STENDHAL– [Le Rouge et Le Noir and the first half of La Chartreuse de Parme.]

FLAUBERT (omitting Salambo and the Tentation) — and the Goncourts.

GAUTIER, CORBIERE, RIMBAUD.

May 24, 2015

Submarine Alert (*). The Narrow Margin (*/ “sixty cent special… strictly poison under the gravy”) from “Tess” enjoyed his quote of Whitman that appeared

Crowds of men and women attired in the usual costumes,
How curious you are to me!–

and this of Hardy’s own:

Upon her sensations the whole world depended to Tess; through her existence all her fellow creatures existed, to her.

Good Old Neon, David Foster Wallace/ concordance start

May 17, 2015

Not so much a concordance as a gathering of key statements on central themes.


Neon: “so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters […]” [179, footnote]; “this little photo’s guy a year ahead of him in school with the seemingly almost neon aura around him all the time of scholastic and athletic excellence and popularity and success […]” [180] [Note: it comes to mind that there a neon sign belonging to a podiatrist’s clinic in The Pale King. See Pale King pp.165.]

Death: “it gets a lot more interesting when I get to the part where I kill myself and discover what happens immediately after a person dies” [143]; “dead or not, Dr. Gustafson knew more about all this than I” [153]; “after we’d both died and were outside linear time and in the process of dramatic change” [163]; “I actually convinced myself that the tongues’ babble was real language and somehow less false than plain English”; “it’s not that words or human language stop having any meaning or relevance after you die by the way” [166]; “In logical terms, something expressed in words will still have the same ‘cardinality’ but no longer the same ‘ordinality.’ All the different words are still there, in other words, but it’s no longer a question of which comes first.” [167]; “A lot of history’s great logicians have ended up killing themselves” [167]; “the reality is that dying isn’t bad, but it takes forever. And that forever is no time at all” [180];

Time: “outside of the logical sequential clock time we all live by” [151]; “words and chronological time creat all these total misunderstandings of what’s really going on” [151]; “if I’m saying words that words and sequential time have nothing to do with it you’re wondering why we’re sitting here in this car using words and taking up you’re increasingly precious time” [152]; “how clumsy and laborious it seems to convey the smallest thing. How much time would you even say has passed” [153]; “all the English that’s been expended on just my head’s partial contents in the tiny interval bewteen then and now” [153]; “that would take too much time to relate in detail” [158]; “the dream takes place in dream time as opposed to waking chronological time”; “the speed with which my whole life blew by like that” [161]; || “the sheer amount of time Dr. Gustafson spent touching and smoothing his mustache” [162]; “after we’d both died and were outside linear time and in the process of dramatic change” [163]; “In logical terms, something expressed in words will still have the same ‘cardinality’ but no longer the same ‘ordinality.’ All the different words are still there, in other words, but it’s no longer a question of which comes first.” [167]; “This occurred at 9:17 PM on August 19, 1991, if you want to know the fixed time precisely.” [173]; “it was intensely mental and would take an enormous amount of time to put into words” [174]; “if it was going to hurt I wanted it instant” [176]; “instant” [177]; “because what if afterward now each moment itself is an infinite sea or span or passage of time which to express it or convey it, and you don’t even need any organized English” [178]; “What if no time passed at all?*” [179] (w/ footnote discussing past, present and future in terms of a speeding automobile);

Logic: “he thought he’d caught me in some kind of logical contradiction” [146]; “there was a basic logical paradox I called the ‘fraudulence paradox'” [147]; “aren’t I sort of logically contradicting myself right at the start” [152]; “or, in logical terms, that their domans were exhaustive and mutually exlusive” (formula here) [164]; “‘validity’ (which happens also to be a term from formal logic)” [164]; “In logical terms, something expressed in words will still have the same ‘cardinality’ but no longer the same ‘ordinality.’ All the different words are still there, in other words, but it’s no longer a question of which comes first.” [167]; “A lot of history’s great logicians have ended up killing themselves” [167]; “The German logician Kant” [173];

Language (words): “the realization didn’t hit me in words” (also around here statements about putting things clumsily, “a long, rushing, clumsy way,” etc., and again on pp. 150) [148]; “just try and put a few seconds’ silences’ flood of thoughts into words.” [150]; “one word after another word English we all communicate with each other with” [151]; “words and chronological time creat all these total misunderstandings of what’s really going on […] and yet at the same time English is all we have to understand it” [151]; “if I’m saying words that words and sequential time have nothing to do with it you’re wondering why we’re sitting here in this car using words and taking up you’re increasingly precious time” [152]; “how clumsy and laborious it seems to convey the smallest thing. How much time would you even say has passed” [153]; “all the English that’s been expended on just my head’s partial contents in the tiny interval bewteen then and now” [153]; “I actually convinced myself that the tongues’ babble was real language and somehow less false than plain English”; “it’s not that words or human language stop having any meaning or relevance after you die by the way” [166]; “In logical terms, something expressed in words will still have the same ‘cardinality’ but no longer the same ‘ordinality.’ All the different words are still there, in other words, but it’s no longer a question of which comes first” [167]; “it was intensely mental and would take an enormous amount of time to put into words” [174]; “as a verbal construction I know that’s a cliche” [175]; graffiti you can’t even read [176]; “because what if afterward now each moment itself is an infinite sea or span or passage of time which to express it or convey it, and you don’t even need any organized English” [178]; “it’s not English anymore, it’s not getting squeezed through any hole” [179]; “not another word” [181].

Other words/ themes (to look into potentially): “flash”, “paradox”, “keyhole”, “insect”, the various women’s names, cliche (Neon makes some of the same points about cliche that Infinite Jest does), baseball (American Legion); sexual double-entendres.

The Fraudulence Paradox [147]:

The fraudulence paradox was that the more time and effort you put into trying to appear impressive or attractive to other people, the less impressive or attractive you felt inside — you were fraud. And the more of a fraud you felt like, the harder you tried to convey an impressive or likable image of yourself so that other people wouldn’t find out what a hollow, fraudulent person you really were.

Other: Berry Paradox, Russell’s paradox, list of logic symbols, respice finem, Moser.

–(Feeling like a fraud is a natural result of trying to communicate in regular linear time what truly occurs in instantaneous all-encompassing time? Is dieing like writing? Writing is like giving full expression to what happens in an instant — that is– life?)



May 10, 2015

Feel I disagree with this –I feel I do, rather than actually doing so– but can positively confirm a strong sense of disagreement. Why (what words does this ‘strong sense’ evoke):–

The Humanities are proponents of the solitary and so necessarily in conflict with technology, which is a proponent of the “connected” and “linked in”. Technology represents ‘the crowd’ while the humanities represent ‘the one.” (Monarchy could have/ did repeatedly, survive democracy in the ancient world, but could it have/ can it, survive technology today? Can an individual?)

To have a chance of not being utterly decimated in this conflict — supposing it to have already been defeated– and supposing further its decimation to be undesirable, the humanities’ greatest champions should be put forward; and Shakespeare, “being clearly the greatest champion of English literature” and so forth –and of the humanities probably too– should consequently be focused on: it is Shakespeare that ought to meet the Hector of Technology….

In short, the best secular reason one might give for going for a walk (solitude) instead of surfing the web (the crowd) is Shakespeare — concludes, not entirely unreasonably, the voice evoked by this “strong sense.”

Pindar, Pythian 3.107-109

May 10, 2015

Pindar, Pythian 3.107-109:

σμικρὸς ἐν σμικροῖς, μέγας ἐν μεγάλοις
ἔσσομαι: τὸν ἀμφέποντ᾽ αἰεὶ φρασὶν
δαίμον᾽ ἀσκήσω κατ᾽ ἐμὰν θεραπεύων μαχανάν.

*

[θεραπεύων a nominative masc. participle agreeing with subject ἀσκήσω]

*

Svarlien: “I will be small when my fortunes are small, great when they are great. I will honor in my mind the fortune that attends me from day to day, tending it to the best of my ability.”

William H. Race (Loeb): “I shall be small in small times, great in great ones;/ I shall honor with my mind whatever fortune attends me,/ by serving it with the means at my disposal.”

Piketty equations

May 3, 2015

α = r * β“first fundamental rule of capitalism” where α is the share of income from capital in national income; r is the rate of return on capital, and β the capital to income ratio. [pp.52]

β = s / g“second fundamental rule of capitalism” where β is the capital to income ratio; s is the saving rate; and g is the growth rate. [pp.166]

by = μ * m * β“annual economic flow of inheritances and gifts, expressed as a proportion of national income” (by) where μ is the ratio of average wealth at time of death to average wealth of living individuals, m is the mortality rate, and β is the capital to income ratio (here the total private wealth to national income).

r > g … rate of return on capital (r) is greater than economic growth (g).