dentro de la cotidianidad los pergaminos

Afidnes Tyndareus Cephissus Bibliotheca

Bight Bight of Bonny Murray Ridge Spanish Guinea

soffit Sark Maputo besom

jactancy person coracle tannoy

cack taw obi stool

smutch pelage leg break DLC HIMIjerkwater grison Lester Hunt
Frederick Karl catalectic Richard Ellmann — precess (example)

……………….—.~……….
………..Bannana………..
…………Massacre…………
………….\……………...
HODDEN…………...…curseof
GRAY……………o……………capist
strid……………..…………….trano ul
ation……………..0……………..tow is
land……………….O………………XILLA
MA………………..……………….FLOATING
20………………..0………………..20
/………………..…………….. site
w………………..……………-lie
………………..………….ord
………………..……….in
………………..………a
……………..……..n
……………..…….ce
…………………..e………………..
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…………….ote………………..

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from a “special features” film I learn that the director of Rose of Washinton Square was more known for being workman-like than for being artistic, yet the end of the film, when one sees suddenly a black arm thrust in front of the Tyrone Power character (and knows the position that man is in and his relation to the Tyrone Power character) brings to mind that the only other time one has seen a black face in the movie is Al Jolson wearing black face –Jolson who has been a mainly adversarial counterpoise to the Tyrone Power character– a poetic touch which indicates one doesn’t know what — but sticks out– or did to me on this occasion of having watched it.
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