Archive for the ‘Uncategorized’ Category

Colourable

February 11, 2021

Not sure that I was familiar with this word, which comes up in this thorough exploration of the constitutional question surrounding the conviction, out of office, of an official impeached while in office.

The author seems to use it in this sentence, and one a few paragraphs down, to mean “plausible” while wiktionary’s definition is more like “specious”:

“So far as I can see, Bobbitt’s position rests primarily on a colorable—but tenuous—argument from the text of the Constitution’s impeachment clauses.”

APPENDIX D: Emaskulated

February 10, 2021

During the height of the lockdown the attendant penned several faux punkrock and rap tunes to show his defiant attitude toward the virus. He imagined these efforts might themselves “go viral” (how he triumphed to imagine them “going viral”!) but they did rather stand languid and confused, was his lasting observation. Here was the best them, punk song called Emaskulated! [Appendix A has gone missing for the nonce. B and C are children’s poems: “Where Do Crumbs Come From?” & “I Have Sticky Shoes”]

Emaskulated

Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!

Used to be such a pretty boy
Had such a great face (oo la la!)
But now I got this mask in place
And you can’t see my well chiseled jaw.

The girls used to drop dead to see this mug,
Now they just don’t give a frug
Because my mouth is boxed and crated
And I’ve been emaskulated!

Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!

My nose was probably my best trait
Not too wide and not too straight
But now these nostrils are in the dark
And none of the ladies care to remark.

I don’t look like a master of surgery!
I look like I got a serious injury!

I feel hot and isolated!
I feel so emaskulated!

I used to make such great remarks
And everyone thought I was some kind of wise man
But now I speak and they can’t understand
They say, heh, did you just say something, man?
They say, heh, what are you mumblin man?

(What’s that? Whachoo mumblin?)

Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!
Ema-ma-ma-ma-maskulated!

February 10, 2021

ἰητρικὴν ὅστις βούλεται ὀρθῶς ζητεῖν, τάδε χρὴ ποιεῖν

February 9, 2021

………………………// . / \
………………………| ||||\
…………………... . / . /, | ||||\\|
………………//// . / \ \\||||\\
Lampedusa|Trial of The K\·ights Templar. moider.
Garum|Nok.Larentide Ice/| Sheet. tocsin.
knout paratactic; liana;/ϐ pleach; Morpheme.
februa·|Stalking horse offer\\ Ύvariation of the field
epigone. sedulity Verdelho\\\ Piero di Cosimo
…………//// . /· \ \Ύϐ\||· Ύ||\\
…………….· Ύ . / . /, | ·|ϐ ||·|\\|
……………..| |··|||\ϐ ϐ
……………../ϐ /. /· \

Reading classics without the benefit of scholarship

February 8, 2021

The question of — taken all in all, is it any more difficult for a contemporary English reader to read Finnnegans Wake without assistance than it is for a contemporary English reader to read Dante (or Chaucer, or The Bible) without scholarly assistance? That is, thinking of all the critical apparatus needed to read Dante if you don’t already know medieval Italian or know Italy of the period — the translation and the notes on translation and the historical notes — and thinking of what if one just had a simplified version of FW like one could have one of these simplified versions of Chaucer or The Bible or the like they put out. 

I don’t know what a negative answer to that would tell us exactly. Maybe that FW was written within its own historical epoch, if that can be imagined, that it is possible for an author to discover such blackholish historical “singularities”; maybe that a true classic is something essentially rare and inaccessible, deceptively rendered not so by The Modern Library… Of course this assumes one considers FW a classic, but in any case, and for obscure reasons, The Divine Comedy strikes me as an interesting book to bring alongside it. Maybe a comparison can be teased out later.

Two dilated feet

February 7, 2021

Points of interest about the foregoing passage: first is the “quick hissing thuds.” “Hissing” is a surprising modifier of “thuds.” Faulkner may have been thinking of a specific sound rubber soles at that time made; even so, one might have expected “squishing”, but one gets “hissing”, –hissing thuds,– which maybe is what squishing is.

Second is “suave and sourceless.” I don’t like “suave” overmuch here. (Pylon was published between Light in August and Absolom, in 1935.)

Third is “unearthly day colored substance” (descriptive of fluorescent light?) Not unbearably/intolerably day colored substance; not unearthly light colored fluid, or substance colored light; it’s not light, but it’s day-colored, it’s substance, but unearthly.

Would like to do some metric analysis of his listing of commercial objects, which starts with obvious iambs, then the feet seem to expand, and then to expand again: “the hats and ties and shirts, the belt // buckles and cufflinks and handkerchiefs//, the pipes shaped like golfclubs and the drinking tools shaped like boots…”

What I’m calling the first line would iambic tetrameter, what I’m calling the second would be dactylic trimeter, and what I’m call the third would be, I don’t know what. I want to say that everything between pipes and golf is stressed as well as everything between ‘drink-‘ and boots, two dilated feet, but an expert is called for.

An unearthly day-colored substance

February 6, 2021

“He entered the store, his rubber soles falling in quick hissing thuds on pavement and iron sill and then upon the tile floor of that museum of glass cases lighted suave and sourceless by an unearthly day-colored substance in which the hats and ties and shirts, the beltbuckles and cufflinks and handkerchiefs, the pipes shaped like golfclubs and the drinking tools shaped like boots and barnyard fowls and the minute impedimenta for wear on ties and vest-chains shaped like bits and spurs, resembled biologic specimens put into the inviolate preservative before they had ever been breathed into. ‘Boots?’ the clerk said. ‘The pair in the window?'” (From the opening of Pylon, Faulkner.)

February 5, 2021

Space. Space between the bumpers of cars. Space as the gaps between customers in memory. Time as that which occurs between the appearance of customers. (Customers don’t occur in Time and Space, but exist as the always moving borders of Time and Space. Nothing can be said to occur which does occur in between the appearance of customers.)

Take the filter out and put it back. Walk to where the rag is and stop, then walk back to the filter and have a look. Check the fridge and its handle. Look out over the room to the sugars. Pull out this fridge and clean what’s in back of it (how did that thing get in back of it)

Customer with difficulty filing for disability. Customer thinking the county needs more playing fields, needs more open land for the kids. Customer added to her purchase to accommodate the three dollar minimum. Customer ordered medium chai latte with extra hot soy and a cookie. Customer carried a text book, thick but with a soft cover: with fluorescent pink and lime green post-it notes protruding from two of its edges.

Woman from the hair salon remarked that that was her bus that just came, so that the server, spurred to activity, whipped down a sheet of sandwich paper and found instead he’d grabbed three.

“Cold today,” customer said. “but it’s gotten warmer,” server said. “Yes it has gotten warmer,” customer said. “What does It’d mean,” customer asked. “How do you spell it?” “I — T — apostrophe — D… I never seen that before.” “Oh, it means ‘It had’ or ‘it would’ I think.” “Sounds like it’s from the streets.” “You don’t hear it a lot, I guess, but it’s like ‘he’d’ or ‘they’d.'”

(Chance Sweepings….)

Being persuasive about things you don’t actually know about

February 3, 2021

Gorgias is the Platonic dialogue for our times! Interesting distinction made here between persuasion that instills belief by means of knowledge, and that which instills belief without knowledge. Gorgias 454e:

βούλει οὖν δύο εἴδη θῶμεν πειθοῦς, τὸ μὲν πίστιν παρεχόμενον ἄνευ τοῦ εἰδέναι, τὸ δ᾽ ἐπιστήμην;

Shall we lay it down then that there are two forms of persuasion, the one producing belief without knowledge, the other knowledge? (Woodhead)

An example of persuasion with knowledge would be a teacher persuading a student that the sum of a triangle’s angles is equal to 180 degrees. An example of persuasion without knowledge would be a lawyer’s argument (as opposed to a physician’s — indeed, independent of a physician’s knowledge) that a person should wear masks or not; or, independent of a geometer’s knowledge, that a triangle’s angles in fact equaled 360 degrees.

The rhetorician’s art, says Socrates, is to be persuasive about things he doesn’t really know about.

February 2, 2021

……q……g
.au………..ra
lia…..
P……vel
swinangines
ging..siron.. sand
Maryof Egypthami
rrida bashitru Mar
gUAr dnnel
S o-da
.Bubb
salnBubb..
..Bub.ooBubb….
………edirbongo ananeyillsuion
m t m
m .. t ..m
m .. t ..m
m t m
m …. t ….m
m ….. t …..m

Finnegans Wake & Collage

February 1, 2021

I wrote this before reading Finnegans Wake but it seems somewhat to “foresee” it. I was thinking of the “discrepancies” that Faulkner excuses himself for at the beginning of The Mansion and thinking how a new conception of the novel might embrace or allow for (or demand) mistakes of that sort —

That illogicality of plot is “a feature not a bug” . . . if a story is the patched- together parts of 20 conflicting stories but is stylistically and thematically consistent, if the story as a result states contradictory things as true –a la the discrepancies in the Snopes trilogy that Faulkner felt obligated to explain– this perhaps is to be preferred in the next evolution of the novel. Not so hard to envision the “next Shakespeare” as putting forward a sort of “mash up” of what would have otherwise appeared as his separate tragedies –because– the same person will seem Lear, Hamlet and Macbeth, to himself, herself, at once. Without the conceit of the stage, or of a drama, the author will see all those personalities and their dramas converging and mixed in himself.

If one could conceive of a mash-up of all Shakespeare’s plays into a single novel –one that was really effective– wouldn’t that somewhat resemble Finnegans Wake? If one could “unmash” FW what would one find?

Related question, have there been any rules established yet for the creation of mash-ups/ collage, like there were for perspective in painting way back when? Do we know anything about what goes together, to achieve what effects and why?

Related question, how would you make a mash up or collage of Shakespeare’s works? I think the obvious strategy would be to start with Hamlet as your foundation and then just start piling on and taking away. A weirder thought that occurred to me was to start with the idea of the jester-clown, which gives you a point of entry into both the comedies and tragedies.

Love is Neither Ignorant Nor Wise

January 31, 2021

Nice to find a Greek passage I understand pretty well…. In brief: the gods don’t desire to become wise because they are wise already, while the ignorant don’t desire to become wise because they don’t know they lack wisdom. Love, on the other hand, represents an in-between state, which is neither ignorant nor wise, neither rich nor poor,  …. Plato’s Symposium [English]:

[203e] … ὥστε οὔτε ἀπορεῖ Ἔρως ποτὲ οὔτε πλουτεῖ, σοφίας τε αὖ καὶ ἀμαθίας ἐν μέσῳ ἐστίν. [204a] ἔχει γὰρ ὧδε. θεῶν οὐδεὶς φιλοσοφεῖ οὐδ᾽ ἐπιθυμεῖ σοφὸς γενέσθαι—ἔστι γάρ—οὐδ᾽ εἴ τις ἄλλος σοφός, οὐ φιλοσοφεῖ. οὐδ᾽ αὖ οἱ ἀμαθεῖς φιλοσοφοῦσιν οὐδ᾽ ἐπιθυμοῦσι σοφοὶ γενέσθαι: αὐτὸ γὰρ τοῦτό ἐστι χαλεπὸν ἀμαθία, τὸ μὴ ὄντα καλὸν κἀγαθὸν μηδὲ φρόνιμον δοκεῖν αὑτῷ εἶναι ἱκανόν. οὔκουν ἐπιθυμεῖ ὁ μὴ οἰόμενος ἐνδεὴς εἶναι οὗ ἂν μὴ οἴηται ἐπιδεῖσθαι.

Freedom of Speech in Ancient Athens

January 30, 2021

Was interested in this from The Gorgias. Couldn’t think offhand of another place where Athens is singled out for its freedom of speech (ἐξουσία τοῦ λέγειν). 461e, Socrates speaking:

“It would indeed be a hard fate for you, my excellent friend, if having come to Athens, where there is more freedom of speech than anywhere in Greece, you should be the one person there who could not enjoy it.”

δεινὰ μεντἂν πάθοις, ὦ βέλτιστε, εἰ Ἀθήναζε ἀφικόμενος, οὗ τῆς Ἑλλάδος πλείστη ἐστὶν ἐξουσία τοῦ λέγειν, ἔπειτα σὺ ἐνταῦθα τούτου μόνος ἀτυχήσαις.

January 29, 2021

.la”” “How Story
.la”” “”; “ Of Jonah
.la””; “” “”; relates to idea
.la””; “” “”; of Amor
.la””; “” ” Fati”
.la””; “” “”; ….
.la””; “”;
.la””; “”; “How Story
.la””; “”; “”; “ Of Jonah
.la””; “”; “”; “”; relates to idea
.la””; “”; “”; “”; of Amor
.la””; “”; “”; ” Fati”
.la””; “”; “”; “”; ….

……… Napoleon’s
……..France
. ginglymus
Kanyakumari
Puranas Ganesha
Memphis Group squidge
cohete Toi invasion violac
Archibald Lampman…. cark
Archibald Lampman…. cark
cohete Toi invasion violac
Memphis Group squidge
Puranas Ganesha
Kanyakumari

Philogelos 145

January 28, 2021

εὐτραπελος κάπελος εὐρών ταξεώτην ἐπὶ τῇ γυναικὶ αὺτου εἶπεν· εὗρον ὅ οὐκ ἐζήτουν.

The jesting peddler finding a cop with his wife said — I found what I was not seeking. 

εὐτραπελος: tricky jesting ready with an answer. κάπελος: hawker, peddler, publican. ταξεώτην: officer of a magistrate. This translation has “I found what I was not bargaining for” as the punchline, which makes sense of the fact that the jester is called a merchant. Still puzzling why it’s a court officer with the jester’s wife.

January 27, 2021

Dream. Am walking with a young woman toward her bus stop. She seems to appreciate how truly anxious I am to get her there on time. We’re arm in arm and I’m holding a television’s remote control in my free hand. As a joke, I pretend that pressing it will move us along faster, but as I press it I feel it really is pushing us forward at greater speeds.

Author-centric novels

January 26, 2021

I just realized it had been long time since I’d questioned what used to be a point of frustration with me that 20th century fiction/ modernism tended to be so self-centered (that is, author-centered). To what did I attribute that author-centeredness, I now wonder:

–Capitalsm/ individualism. That we, and by extension our authors, all think of ourselves as heroes in need of being mythologized. (Or that we, who know we’re not heroes, look in awe at those who can consider themselves such?)

–Democracy/ divine average. Sort of the flip side of that. As members of a Democracy we celebrate ordinary people and ordinary things and authors find in their own lives authentic experiences of the ordinary. Hence a tendency toward the autobiographical.

–What I think of as Dan Green’s idea that the novel has ceded such concerns as plot and character to cinema and tv so as to concern itself more with stylistic concerns. But these stylistic concerns must come from, or be made to hang upon something real, in most cases, if only for structural reasons; so again, personal experience arises as a kind of default.

(To say that another way, probably Nicholson Baker would have written The Mezzanine from a totally different point of view, if that really mattered, but instead its from the point of view of someone very likely much like Nicholson Baker –I’m guessing– because his personal experience was readiest to hand.)

Counterpoint: quite a few film makers are “author-centric” — Woody Allen, Fellini…

–Could copyright law play a role? If you have to pay someone in order to rewrite their story (which I don’t think Shakespeare needed to?) that creates a clear incentive to write out of personal experience. The great stories are for big box office budgets.

–Maybe related to the Dan Green idea, commercial writing concerns have been superseded by personal or spiritual ones. People, even great writers, don’t imagine they can make a living writing, but want to use writing to tell their personal story and “be creative.”

January 25, 2021

Customers who ordered just a bagel today, nothing else: white hooded youth or young man, been ordering a cinammon raisin bagel with cream cheese each Sunday for the past month or more; friendly Jewish (?) gal, orders sesame bagel with cream cheese (“extra cream cheese” the past two times); Indian (?) immigrant couple who periodically come at the end of the night to order a wheat bagel with butter. (There was no wheat tonight so they took a sesame.)

White middle-aged woman who works at Giant as a cashier, whom I think of a single bagel getter (sesame with butter) ordered a small light roasted coffee with her bagel this morning.

Margrum: Enslaved by the sheer quantity of people

January 23, 2021

(A crime fighting duo, kind of like Magnum PI and Thomas Higgins, but concerned with issues of grammar and philosophy . . .  Margrum & Higgs)

* * *

Margrum wondered if the founders of this democracy had ever contemplated the possibility that one day the citizens of the Great Republic they had initiated with such gusto and had organized with such passionate care would be one day walking around with their wallets and purses and key chains bulging and stuffed with what were called bonus cards in order to get what were called bonuses.

Margrum was older now and it was difficult for him to say exactly if the word itself had changed or if it was merely his attitude toward the word that had, but he had begun to feel that he had started life as one of the free and proud and privileged of the world, one to whom “much had been given and from whom much would be expected,” and but who now felt surely and squarely and without too much in the way of hyperbole or self-pity that he was what had in former times been called a slave. A slave! (And perhaps one deserving of a handout.)

Not a slave bound with chains always so literal as handcuffs, nor so visible as bonus cards; but from every side, — legally, economically, physically, politically — he had come to feel constrained, and “slave” did not seem a word too melodramatic to describe the intensity of his feelings about this constraint — his sure feelings of the impossibility of making what a reasonable person might call progress. (And he didn’t feel like a slave — in fact, he often didn’t feel that way — but felt that he was a slave: felt there had been this dramatic palpable change in his societal status.)

He had been raised with the thought that slavery had been abolished some while ago; he was now of an experience that told him such things go away only to return again in more familiar, less imposing forms. To a degree, Margrum felt defeated and enslaved by the mere fact of the sheer quantity of people that were alive with him now (and these people had to be organized somehow after all; slavery, he supposed, would do just fine!) (When there are so many people all about maybe that just naturally results in there being one Pharaoh over all the slaves. Maybe the population size was itself a sort of Pharaoh.) He who had always thought of himself as nothing special but no redundancy or duplicate, now did very much indeed question the grounds for making such a distinction, with all these people grown up around him.

Or maybe it was not that he had become a slave (he didn’t for example think he belonged to anyone else). Maybe he had only become (without having fully realized it was happening) kind of poor. And a lot of people with him too, a whole class of people made poor without their quite having known. As if he and everyone else he knew, the whole middle class of the country even, or a chunk of it, like a giant ice shelf calved from the polar cap, had been barreling along having a good time, having the feeling they were making progress, only gradually the times became less good, the road more rocky with more traffic, with less space in the overhead compartment, no leg room, with food that didn’t taste right –you had to go to unaffordable stores to get the decent food– until finally they came to understand that they were in the middle class no longer. They still had cars, houses, college educations, children, in many cases, the trappings of the middle class, but now none of it was paid for, none of it was any good. They had cars and homes and educations, but they were shoddy and imbued with cheapness, pieces of paper, and the sense was there was to be no future.

But what most pisses him off at the moment is his can of beer. He’s looking at it and it really pisses him off to the extent that he completely forgets the issue of his enslavement. They have altered the shape of the can to save money and increase profit. It isn’t a comely shape. Anyhow, he’s passed out.

January 22, 2021

……………m t m
……………m . t .m
……………m .. t ..m
……………m t m
……………m …. t ….m
……………m ….. t …..m
……………w …………a R
……………n………..a..v
……………c.e at
……………t………..M mc………..
……………m………..t a….o…….
.v v iR v v
..e a …..,,,,.v a v
hl……………..,,,,,a i
..Limbs. of the. horse
..e. c …………,,,,,.v a
.m h ……….,,,,,.i r
.o iA aIva i r
..